Third volume in an impressive series: 25 stories by English- speaking writers (excluding the US) who represent a remarkable range of magazines, reputations, styles, and subjects. Of those best known in the States, Alice Munro, William Trevor, and A.S. Byatt all live up to their standards of elegance and intelligence in stories about a member of an obscure Presbyterian sect in Canada (``Friend of My Youth''), a petty and profligate Englishman banished to Italy by his ex-wife (``Coffee with Oliver''), and a matronly academic who violently rebels against aging while at the hairdresser's (``Medusa's Ankles''). Margaret Atwood's ``The Age of Lead,'' on the other hand, polemicizes about our deadly, disease-ridden times. Julian Barnes (``Dragons'') and William Boyd (``Cork''), both brilliantly inventive, turn to history for stories about Catholic repression of Protestants in France, and a profile of an obscure and bizarre Portuguese poet. More international in spirit than the average American anthology, this varied gathering offers the quite credible monologue of a privileged Argentinean woman who imagines herself stolen from one of the ``disappeared'' (Michael Dibdin's ``A Death in the Family''); there's also Tracey Lloyd's simple tale of a Greek baker in East Africa (``Sungura''); and James Waddington's Shirley Jacksonish nightmare about eroticism and violence among naturists on a Swedish island (``Glob''). Denise Neuhaus's ``The Card Party'' caricatures life in the American South, while David Mackenzie's ``The Language of Water'' perfectly captures the pared- down American style of stories about men and sport. Many of the lesser-known writers rely on domestic themes for their confidently rendered tales. Divorce figures prominently in Alan Beard's ``Come See About Me'' and Deborah Moggach's ``Changing Babies.'' A darker view of contemporary relationships adds an unusual dimension to Julie Bruchill's excellent ``Baby Love,'' Nadine Gordimer's sarcastic ``A Find,'' Rachel McAlpine's sad little ``Popping Out,'' and the horrifically real ``With Long Thin Fingers,'' by Richard Madelin. An essential annual for short-story lovers.
Pub Date: Oct. 21, 1991
ISBN: 0-393-03036-9
Page Count: 256
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1991
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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