Moves well, with a steady flow of detail, but for artistic immediacy falls below such pop classics as Mika Waltari’s The...
Historical set in Egypt after the defeat of Marcus Antonius, without the supernatural trappings of Bradshaw’s Wolf Hunt (2001, etc.) and with epilepsy now replacing lycanthropy.
As Julius Caesar’s acknowledged bastard and Cleopatra’s heir, exiled Caesarion might well be in line for titles claimed by Octavian, the new emperor. Cleopatra is now a prisoner, Egypt is a Roman province, and Caesarion, bearing sword wounds, awakes on a fresh funeral pyre the Romans don’t want to light until evening. He slips away into the desert and, following a camel track, is taken in by the Egyptian master of a small caravan. Ari is bound for Berenike, the port at which Cleopatra has arranged for ships to meet and carry her son to safety. But once there, Caesarion finds that the ships have been impounded by Rome. Still recovering from his wounds, he has no money, only a gold pin. He also, like his father, has epileptic seizures when overcharged with excitement and needs the constant care of an herbal remedy in his amulet. Being the palace-raised son of a queen favored by Isis, Caesarion is an unbearable 18-year-old snob, but Bradshaw slowly allows him to become more democratic and open to common folk like Ari, who feeds, shelters, and ministers to him without expectation of repayment. Not the greedy camel-driver Caesarion first thinks, Ari refuses the gold pin and asks only that the boy write letters for him. Later, in mourning for his mother and ill from his epilepsy, Caesarion saves Ari, who has been arrested and charged with anti-Roman sentiment. When his flight brings him face to face with Octavian, Caesarion acts nobly and wins the freeborn Melanthe.
Moves well, with a steady flow of detail, but for artistic immediacy falls below such pop classics as Mika Waltari’s The Egyptian (1949)—not to mention Wild Bill Shakespeare’s purple play.Pub Date: June 1, 2001
ISBN: 0-765-30228-4
Page Count: 496
Publisher: Forge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2002
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
