A middle-aged songwriter reconsiders her life in Burgess' tender, sharply observed novel.
Marley Stone, who has been writing hit songs for her twin sister, Andi, a country music star, for more than 20 years, is beginning to wonder whether she can do it any longer. After breaking up with her boyfriend of six years, she heads north from Seattle to the cabin in the woods where she and Andi lived with their flighty, determined mother, Donna, and where Donna has recently, and mysteriously, killed herself by stepping into the nearby lake with rocks sewn into her pockets. Intending to clear out both the cabin and her mind, Marley finds her life complicated by her old high school boyfriend, recently and possibly only temporarily separated from his wife, and by an abusive man from her past who has begun stalking her. At the same time, she tries to solve the mystery of a letter her uncle claims Donna received from the father Marley and Andi never knew. Burgess crams more action and characters into a weekend than it can comfortably handle—particularly by the time Andi and the majority of her high school class show up at a bar—and the male characters tend to be one-dimensionally good or evil, but the relationship between the twins is believably complex. Even Donna, who could easily have become the stereotypically unhinged mom, is intriguingly complicated, unknowable to the end. Burgess evokes both Seattle and the Idaho countryside in sensuous detail and effortlessly weaves the process of music-making into the story.
A touching exploration of two sisters pulled by the past.Pub Date: Sept. 7, 2019
ISBN: 978-1-64437-135-0
Page Count: 324
Publisher: Black Opal
Review Posted Online: July 28, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Categories: GENERAL FICTION
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BOOK REVIEW
While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.
Pub Date: June 15, 1963
ISBN: 0451228146
Page Count: 181
Publisher: Praeger
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: June 15, 1963
Categories: GENERAL FICTION
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The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 22, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Categories: GENERAL FICTION
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