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THE FAR SHORE

A plausible and harrowing adventure that explores humanity’s drive for personal freedom.

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Damato’s (Breaking Seas, 2012), SF adventure finds a secret group of scientists attempting to flee a repressive society and colonize Mars.

In the year 2065, a regime called Global Harmony has erased the history books and brought peace to the world—under its rule. The Autoridad, the agency that governs the region of Alta California, watches everyone all the time by using “infinite microscopic devices.” For citizens who break the rules, there are reeducation centers or suicide pills. “Children belong to the community,” says Global Harmony, and even saying the words “mother” or “father” is unacceptable. Seventeen-year-old Cristina Flores hates this life, and she secretly treasures an illegal book about NASA’s Apollo missions—a gift from her father, Paco—and dreams of attending Peking University to become an aerospace engineer. She has the math skills and intelligence to do so, but her Trust Score (or social rating) is low. While celebrating the Chēngzhăng moon flights at school, she speaks up about the Apollo missions. For this transgression, she must report to “therapeutic counseling” at the Santa Monica police station. From there, she ends up at Central Services, a holding pen for dissidents. After acing several intelligence tests, she’s brought before Dr. Janet Ordin, who tells her that she’s a “pre-select,” without defining what that means. Next, her sanity is challenged in a cramped room called the Ninth Circle, where she meets Ryder Lawson and Eric Rahn, among other university graduates. Eventually, Cristina joins the Genesis project—a secret group of scientists who plan to escape Global Harmony’s grasp by traveling in rockets to create a new colony on Mars. Damato’s first novel is a hard-SF stunner that effectively examines social dilemmas in 2019. The Trust Score is similar to China’s real-life Social Credit System, which launched in 2014 with the aim of preventing low scorers from enjoying the full benefits of citizenship, such as using public transportation. Even more chilling is Global Harmony’s elimination of the past and veneration of government officials, such as the vapid Gov. Marco Javier Crespo. At one point, when Cristina reads a quote by French historian Alexis de Tocqueville, she assumes that he’s a fellow member of the Genesis project. Damato portrays technology wisely—as neither good nor bad by itself, but merely a tool; the Autoridad digitally alters people’s images in “promo” videos that show health and happiness where neither exist, but similarly high-tech 3D printers and nuclear reactors enable the Mars escape plan. In the novel’s second third, the author’s flair for depicting realistic space travel rivals anything in Andy Weir’s 2014 bestseller The Martian. The ship Enterprise, for example, is said to have “magnetoplasma rockets that generate intense electromagnetic fields to ionize argon propellant into plasma.” Cristina’s reverence for her father provides narrative dividends, as well; he taught her to always “Say what was required. But do your own math”—a nod to George Orwell’s Nineteen Eighty-Four notion that 2+2=5 in a dictatorship.

A plausible and harrowing adventure that explores humanity’s drive for personal freedom.

Pub Date: Oct. 16, 2019

ISBN: 978-0-9858162-2-3

Page Count: 370

Publisher: Ninth Circle Press

Review Posted Online: Nov. 7, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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