A complex, out-of-the-ordinary thriller loaded with worldly characters.
Fulbright’s (The Man with a Charmed Life, 2014) novel details a hostage situation and the mysterious information it uncovers.
When Phil Harrington and his partners decide to take hostages, their reasoning is altruistic. Calling themselves New METRO—“Because we aim to give new meaning to our city’s underground system through those five letters M, E, T, R, O: Meaningful Endeavour To Reach Out. To reach out to London’s homeless and dispossessed”—the group hatches a scheme that involves Uzis and a crowded London theater. Without spilling any blood, they successfully capture the prime minister’s son, among others in the theater. The group feels they might be on to something, despite some less than supportive press—“West End madmen tell Hastings: Help the homeless or we kill your son,” one headline reads; “Semtex suicide sadists sabotage Stoppard,” says another—which they dismiss as “right-wing garbage.” After one of the kidnapping collaborators discovers a vault connecting to the theater, the story takes a strange turn. It’s full of invaluable art as well as a mysterious casket. Could its contents redefine history? Heavy on word count (at 600-plus pages) and wordplay—“ ‘Selling Oyster cards?’ said Devonshire. ‘Must have been where he got his pearl of a brainwave’ ” —the story features cultivated characters discussing sophisticated subjects. “Whatever you may care to believe to the contrary,” a hostage says, “a smutty 20th century magazine purveying toilet-door plautitudes (sic) is not the ideal source for glosses to Gibbon’s Decline and Fall.” With mentions of everything from Kramskoi’s Christ in the Wilderness to Goethe’s Faust to the Septuagint, the frequent dialogue is dense with cultural references and educated assertions, often with a lighthearted touch. The value of such references relies largely on the reader’s tolerance for remarks such as “Methinks he was flatulent. Difficult to dazzle students with the square on your hypotenuse, while you’re producing fragrant ellipses from your anus.”
A complex, out-of-the-ordinary thriller loaded with worldly characters.Pub Date: Jan. 28, 2015
ISBN: 978-1784621278
Page Count: 626
Publisher: Troubador Publishing Ltd.
Review Posted Online: April 15, 2015
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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