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THE MAN WITH A CHARMED LIFE

AND HIS PART IN SAVING THE PLANET FROM WWIII

Henry is indelible, and Fulbright smartly surrounds him with equally memorable characters in this exceptional outing.

Awards & Accolades

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In Fulbright’s (Driving Mad, 2014) thriller, the real threat during the Cold War in the 1980s is the French president, who claims to have a weapon capable of shifting the balance of global power.

Henry Wright, an Englishman working in Brussels, is recruited by a secret U.S. intelligence agency. Henry is employed as an interpreter, a relatively painless job, but distrust within the states puts the man in peril. John Heldring, head of IBIS, a commodities-trading group that’s really a front for the Pentagon and State Department’s covert operations, for one, thinks Henry is a Pentagon spy and goes gunning for him. Superpowers America and the USSR, meanwhile, are understandably nervous when Henri Fouquet, France’s president, announces that French scientists have created bombs that can generate a devastating electromagnetic pulse. Mark Tollworth, a man from the Foundation for the Rescue and Restitution of Collected Objets d’Art, promises Henry a safe return to Brussels and a $250,000 paycheck if he simply delivers a message to Fouquet. The fascinating titular protagonist is the antithesis of a typical literary hero: he is seemingly unqualified for counterintelligence (agents erroneously suspect him of espionage), and he avoids the majority of gunfire, as Henry himself admits, by sheer luck. He’s also habitually contentious, mocking American slang and complaining about the tea at Starbucks. Fortunately, the story is rife with characters even more absorbing than Henry, especially Clem Haight, who essentially becomes one of Henry’s bodyguards, and former KGB assassin (and knife-throwing circus performer) Dmitri Zhukhovsky. The intelligent prose and sporadic (but welcome) action sequences are too often sidelined by incidental scenes; e.g., Henry and others have a trivial discussion of his name’s origin. But the characters’ delightfully ambiguous motives and backgrounds make distinguishing good or bad guys a near impossibility, giving the story an atmosphere of perennial unease. Not everyone is as good at steering clear of bullets as Henry, so the novel loses a few characters before it’s over. The author likewise leaves the ending wide open for a potential sequel.

Henry is indelible, and Fulbright smartly surrounds him with equally memorable characters in this exceptional outing.

Pub Date: Oct. 28, 2014

ISBN: 978-1784620202

Page Count: 580

Publisher: Troubador Publishing Ltd.

Review Posted Online: April 1, 2015

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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