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VOICE OF THE ELDERS

A journey that’s uniquely informative, though hampered at times by overbearing prose.

Debut author Ripley presents a sci-fi thriller about apparently friendly visitors from another planet.

Indian-American teenager Rohini Haakonsen is in the United Nations headquarters in New York City as part of the Youth Assembly program, when a group of robed strangers appear—space aliens who assure the audience that they come in peace. They insist on being called the “Elders,” and they offer assistance to an Earth that’s in environmental peril, facing rising sea levels. They request that a number of young people be sent to the Elders’ unnamed world to study and learn their ways. Obviously, the sudden appearance of aliens at the U.N. is a shocking event, and not everyone trusts the Elders’ motives. Rohini, for instance, has suspicions about the whole affair, but she winds up being handpicked by the Elders (with approval from the president of the United States) to be one of Earth’s ambassadors. Rohini won’t go unprepared, however, as a government agent named Sinéad McGowan, alias “Jane Smith,” trains her for a few months before she’s scheduled to leave the planet, so that she can stand up to any sort of confrontation. But after an incident in Washington, D.C., leads to tragedy, Sinéad and Rohini flee to China to plan their next move, where more about the Elders is revealed. There, Rohini, along with the reader, also learns much about Chinese history and culture, including about the 13th-century painter Chen Rong and the dongtian fudi system of nature preserves. This information is, however, not always woven seamlessly into the story; for example, the narration heavy-handedly notes that Rohini “had found in the past that learning how people from other cultures viewed life often gave her deeper insight and more appreciation for her own.” There are some occasionally bland descriptions, and some of the obstacles that Rohini runs into along the way, such as conniving FBI Special Agent in Charge Edward R. Rooney, fizzle more quickly than they should. Still, the narrative takes readers to unusual places in a whirlwind of activity that’s difficult to predict.

A journey that’s uniquely informative, though hampered at times by overbearing prose.

Pub Date: Feb. 21, 2018

ISBN: 978-1-939548-90-0

Page Count: 294

Publisher: Calumet Editions

Review Posted Online: April 25, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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