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DIVING CATCH

A deeply perceptive sports tale for young readers.

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An underground drug operation affects the young baseball players of Williams County, Virginia, in Saur’s (Soccer Star, 2017, etc.) middle grade sports suspense novel.

Thirteen-year-old African-American Devon Horner’s best friend, Corey Strider, was arrested last summer after associating with drug dealer Preston Whiteside. Since then, Devon has resolved to stay far away from criminal activity in his economically depressed neighborhood. This has been a challenge, however, as Preston keeps pressuring him to join his crew. Later, after accusing Preston of giving up Corey to the cops, the drug dealer’s thugs chase Devon across town. Devon eventually ends up at a baseball game at a more affluent, predominantly white middle school. As a casual player, Devon quickly becomes fascinated with the team and strikes up a friendship with one of the players, a white boy named Henry Lee. As summer begins, Henry and his friend Kevin decide to join the Little League tournament at Devon’s church. However, the differences in the players’ backgrounds initially seem to be insurmountable; in order to come together as a team, the boys must embrace their commonalities. Meanwhile, two other students at Henry’s middle school newspaper investigate rumors that the school’s baseball team is involved in drug activity, and they start looking into the background of its mysterious coach, Dillon Wood. Ultimately, the various threads of the plot weave together in a page-turning climax. As might be expected, baseball games comprise a major part of this story. The detailed descriptions of various plays will obviously appeal most to sports enthusiasts, but Saur makes sure to keep them accessible to nonfans. More significantly, the author provides an insightful analysis of relationships between young people of different races and economic backgrounds. The characters are realistically portrayed as having complicated emotions, resulting in touching moments; a particularly poignant example is Devon’s secret feeling that Henry will abandon their friendship as soon as it becomes inconvenient. Overall, Saur skillfully handles the delicate subject matter and infuses the story with optimism.

A deeply perceptive sports tale for young readers.

Pub Date: May 16, 2018

ISBN: 978-0-692-80648-7

Page Count: 452

Publisher: Self

Review Posted Online: Nov. 26, 2019

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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