An ambitious novel, set along the US-Canadian border and in Hollywood, that won for its author (Homesick, 1990, etc.) Canada's prestigious Governor General's Award. The story consists of parallel narratives, the first taking place in 1873 when a band of ``wolfers'' (wolf-hunters) camped in the northern Montana Territory lose their horses to a furtive Indian raiding party. A determined posse pursues the thieves northward into Saskatchewan, where a terrible vengeance is exacted. Among those avengers are the mysterious title character, a stoical drifter who will become both the victim and nemesis of the men with whom he has cast his lot, and Shorty McAdoo, a Scotsman who will forever after be burdened by his failure to act as the ``civilized man'' he believed he was. The second narrative, set in 1923, recounts in his own words the ordeal undergone by Harry Vincent, a crippled journalist employed by playboy moviemaker Damon Ira Chance, a self-described ``visionary'' who longs to film an ``epic western'' incarnating his conviction that ``the spirit of the age would express itself in an endless train of images.'' Harry seeks out Shorty McAdoo's story, not realizing that Chance will betray his ostensible vision, and that he will also unknowingly betray the aged, guilt-ridden McAdoo. The two stories intersect in a melodramatic climax that, unfortunately, drains the novel of much of the integrity given it by Vanderhaeghe's sharply imagined confrontation scenes and salty dialogue. The novel has a lot on its mind, and few readers will leave it unfinished, but there's a paradoxical problem at its core: As gripping as the manhunt story is, its characters remain frustratingly opaque (even the haunting figure of the Englishman's boy only awkwardly inhabits the narrative); and, despite Vanderhaeghe's persuasive characterization of the appealing Harry, the story he's part of feels inchoate and derivative. Two good half-novels here, but they don't come together as a whole. (Author tour)
Pub Date: Sept. 29, 1997
ISBN: 0-312-16823-3
Page Count: 336
Publisher: Picador
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1997
BOOK REVIEW
BOOK REVIEW
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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