Barnes’ novel will be of particular interest to those familiar with slots, blackjack and the seamy side of casinos.
A Vegas novel, so naturally, it concerns scamming the casinos.
Jude Helms is out of his element in Las Vegas, for he’s that seeming rarity: an honest dealer. But he’s run into a string of bad luck, having been fired without cause from several casinos. (Well, perhaps not totally without cause. Once, he complimented a customer for her largesse, which was misconstrued as “large ass.") Now, it’s 20 years later, and although his marriage has fallen apart, he’s close to his children, 14-year-old Beth and recent college graduate Lucas. All Jude really wants is enough money to start his own masonry company, but until that time, he’s committed—or condemned—to work the tables. Finally he seems to get a break when Audie, the mother of one of Beth’s friends, introduces him to Ben, who’s impressed by Jude’s skill in dealing cards. Ben works with him and with Angel, a slick con, to perfect Jude’s technique in checking and changing cards without being seen. In a hierarchy of corruption, Ben seems to be working for the mysterious Wade, an ex-con definitely not to be messed with. When Jude feels he’s had enough, Ben informs him that he’s now “in” and can’t escape the $2 million scam that’s planned involving a “cold deck,” in which a deck of cards with predictable patterns is substituted for one of the casino decks in the shoe. Jude does everything he can to extricate himself from his morally compromising situation and to protect his children, something made far more difficult when he discovers that Audie, with whom he’s developed a sexual relationship, is perhaps the mastermind behind the whole scheme—and is also married to the ever-menacing Wade.
Barnes’ novel will be of particular interest to those familiar with slots, blackjack and the seamy side of casinos.Pub Date: March 15, 2013
ISBN: 978-0-87417-884-5
Page Count: 216
Publisher: Univ. of Nevada
Review Posted Online: Feb. 17, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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