It’s always a good thing when one wants more instead of less. A promising debut, and a glimpse at a hidden American...

WE SINNERS

Lovely, lyrical debut novel of a family in slowly unfolding crisis.

In a book said to have plenty of elements of roman à clef about it, University of Michigan M.F.A. Pylväinen recounts life in a family of Finnish-American true believers for whom the word “fundamentalist” doesn’t quite do the trick. The Rovaniemi family practices a particularly austere brand of Protestantism, or, as a daughter puts it, “a kind of Lutheranism where everyone is much more hung up on being Lutheran than all the other normal Lutherans.” She adds, for emphasis, “End of story.” But of course it’s not, as her bewildered Chinese-Malayan-American beau learns while trying to comprehend both Laestadianism and Uppu’s odd mom and pop, who have had their own struggles. As the novel opens, another daughter is just beginning to buck at the traces, explaining to another young suitor that she can’t go to the dance with him because—well, just because she can’t, end of story. And again, the story doesn’t end but unspools, ever so unhurriedly, to reveal the complex dynamic of a father who’s wound up way too tight “and now expressed everything, even anger, in disappointment,” though he’s not without his sympathetic aspects; a mother who beams love and support and who trusts her children implicitly; and the certainty the two elders share that the world is going to come and steal their children away, luring them to the big city, where they’ll wear fancy clothes and dance and fornicate. Even so, contemplates Pirjo, the matriarch, “You can lose your faith anywhere.” Considering what life has thrown at them, it’s amazing any of the family remains steadfast in their alienating religion, and some do indeed drift—but not always far and not always along paths that we might expect. Pylväinen can be faulted only for over-compression: her story, beautifully written, is taut to the point of snapping, and it could have used a couple of dozen more pages of breathing room.

It’s always a good thing when one wants more instead of less. A promising debut, and a glimpse at a hidden American subculture that few readers will suspect even exists.

Pub Date: Aug. 1, 2012

ISBN: 978-0-8050-9533-3

Page Count: 208

Publisher: Henry Holt

Review Posted Online: April 28, 2012

Kirkus Reviews Issue: June 15, 2012

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

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MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 6, 2014

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Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

ALL YOUR PERFECTS

Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: April 30, 2018

Kirkus Reviews Issue: May 15, 2018

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