A fun, fast read about dating in the city.

PLAYING WITH MATCHES

A young woman gets a job with an exclusive matchmaking service in Orenstein’s debut.

Sasha Goldberg is a recent college graduate in New York City with a gorgeous finance-bro boyfriend and a roommate who’s her best friend. The one thing she needs? A job. When she applies to work at Bliss, an elite matchmaking service that finds love for its superexclusive, rich, and successful clientele, it seems like fate. She knows what happens when a relationship is a bad match—her mother was a Russian mail-order bride, and her parents divorced when Sasha was a child. Sasha’s certain she can help people find a better match than the one her parents had, and soon she’s knee-deep in the world of the New York dating scene. She learns that finding dates for picky businesspeople is harder than she thought it would be—but then she discovers the unthinkable. Her boyfriend, whom she’d always assumed was just working late, has actually been on Tinder behind her back. She breaks up with him and, in her despair, breaks the one rule Bliss has—she asks out a client. She’d set Adam up with another Bliss client, but since the two of them didn’t hit it off, what’s the harm in going out with him herself? Soon, Sasha is juggling her secret new relationship and her clients’ dating lives. But as her ex tries to win her back and her relationship with Adam gets more serious, things start to get complicated. Will Sasha stick with her old flame, or will she strike out on her own? Orenstein’s writing style is simple, but the plot is engaging enough that readers will find themselves flying through the pages to find out what decisions Sasha will make. Refreshingly, the ending hits a note of realism and refuses to tie things up with a bow.

A fun, fast read about dating in the city.

Pub Date: June 26, 2018

ISBN: 978-1-5011-7848-1

Page Count: 320

Publisher: Touchstone/Simon & Schuster

Review Posted Online: April 3, 2018

Kirkus Reviews Issue: April 15, 2018

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

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MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 7, 2014

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The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.

REGRETTING YOU

When tragedy strikes, a mother and daughter forge a new life.

Morgan felt obligated to marry her high school sweetheart, Chris, when she got pregnant with their daughter, Clara. But she secretly got along much better with Chris’ thoughtful best friend, Jonah, who was dating her sister, Jenny. Now her life as a stay-at-home parent has left her feeling empty but not ungrateful for what she has. Jonah and Jenny eventually broke up, but years later they had a one-night stand and Jenny got pregnant with their son, Elijah. Now Jonah is back in town, engaged to Jenny, and working at the local high school as Clara’s teacher. Clara dreams of being an actress and has a crush on Miller, who plans to go to film school, but her father doesn't approve. It doesn’t help that Miller already has a jealous girlfriend who stalks him via text from college. But Clara and Morgan’s home life changes radically when Chris and Jenny are killed in an accident, revealing long-buried secrets and forcing Morgan to reevaluate the life she chose when early motherhood forced her hand. Feeling betrayed by the adults in her life, Clara marches forward, acting both responsible and rebellious as she navigates her teenage years without her father and her aunt, while Jonah and Morgan's relationship evolves in the wake of the accident. Front-loaded with drama, the story leaves plenty of room for the mother and daughter to unpack their feelings and decide what’s next.

The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.

Pub Date: Dec. 10, 2019

ISBN: 978-1-5420-1642-1

Page Count: 400

Publisher: Montlake Romance

Review Posted Online: Oct. 14, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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