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TRANSMISSION

An interesting successor to Kunzru’s now-famous first novel.

Confusion and carnage on the information superhighway claim reputations, lives, and corporations.

The Anglo-Indian author’s harshly satiric second outing (after The Impressionist, 2002) opens with a charmingly funny account of young computer programmer Arjun Mehta’s hopeful departure from his smothering Indian parents and arrival in California, where the promised job that lured him there does not materialize. Arjun frets and daydreams, his culture shock soothed by romantic imaginings about “India’s sweetheart,” film star Leela Zahir—until he’s rescued by employment with Virugenix, a virus-fighting software company based in Washington State. After a brief period of security, Arjun is terminated, and, unwilling to return home in disgrace, becomes inconsolable. Then a malignant virus bearing the image of Leela Zahir attacks the world’s computers—and we know who’s created it. Meanwhile (in a comparatively bland subplot), British paper millionaire advertising mogul Guy Swift—whose New Age-y company declares itself “not so much an agency as an experiment in life-work balance”—sees his dream of “promoting Europe” scuttled, and loses his gorgeous coke-addicted girlfriend Gabrielle, who provides p.r. for a film Leela is shooting in Scotland, and beds Leela’s serial co-star, film hunk Rajiv Rana. Transmission (whose witty title is explained in the closing pages) wanders around its subject almost as much as Arjun does up and down the West Coast, fleeing toward Canada, then Mexico, before disappearing into the mists of computer legend, becoming a “hero” to hackers everywhere. Kunzru lays on the technical detail thickly, and computer geeks will perhaps best appreciate the sinuous meanderings and misdirections here. But its antic vision of an all-too-easily imperiled global village has enough charm and bite to engage us all.

An interesting successor to Kunzru’s now-famous first novel.

Pub Date: June 1, 2004

ISBN: 0-525-94760-4

Page Count: 288

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2004

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TRUE COLORS

Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters...

Female rivalry is again the main preoccupation of Hannah’s latest Pacific Northwest sob saga (Firefly Lane, 2008, etc.).

At Water’s Edge, the family seat overlooking Hood Canal, Vivi Ann, youngest and prettiest of the Grey sisters and a champion horsewoman, has persuaded embittered patriarch Henry to turn the tumbledown ranch into a Western-style equestrian arena. Eldest sister Winona, a respected lawyer in the nearby village of Oyster Shores, hires taciturn ranch hand Dallas Raintree, a half-Native American. Middle sister Aurora, stay-at-home mother of twins, languishes in a dull marriage. Winona, overweight since adolescence, envies Vivi, whose looks get her everything she wants, especially men. Indeed, Winona’s childhood crush Luke recently proposed to Vivi. Despite Aurora’s urging (her principal role is as sisterly referee), Winona won’t tell Vivi she loves Luke. Yearning for Dallas, Vivi stands up Luke to fall into bed with the enigmatic, tattooed cowboy. Winona snitches to Luke: engagement off. Vivi marries Dallas over Henry’s objections. The love-match triumphs, and Dallas, though scarred by child abuse, is an exemplary father to son Noah. One Christmas Eve, the town floozy is raped and murdered. An eyewitness and forensic evidence incriminate Dallas. Winona refuses to represent him, consigning him to the inept services of a public defender. After a guilty verdict, he’s sentenced to life without parole. A decade later, Winona has reached an uneasy truce with Vivi, who’s still pining for Dallas. Noah is a sullen teen, Aurora a brittle but resigned divorcée. Noah learns about the Seattle Innocence Project. Could modern DNA testing methods exonerate Dallas? Will Aunt Winona redeem herself by reopening the case? The outcome, while predictable, is achieved with more suspense and less sentimental histrionics than usual for Hannah.

Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters and understanding of family dynamics.

Pub Date: Feb. 9, 2009

ISBN: 978-0-312-36410-6

Page Count: 400

Publisher: St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 2008

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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