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SCAR LOVER

The latest novel by this former master of true grit southern fiction smartly steers away from the slapstick antics that so marred his last (Body, 1990). Even so, Crews still can't re-create the redneck eloquence of his early work. All the losers and weirdos who people this off-kilter book bear some kind of scar, literal or metaphoric. Pete Butcher, boxcar worker and former Marine, carries the heaviest burden—three years earlier he accidentally slammed his four-year-old brother in the forehead with a hammer, turning the bright and affectionate boy into a slobbering vegetable. Shortly thereafter, his parents die in a flaming car wreck, his brother is institutionalized, and the rest of Pete's family rejects him. This Georgia boy quits the University of Florida after four days and finds himself busting his hump in Jacksonville, trying to forget the past. Only no one will let him. Not his co-worker George, a bulking Rastafarian from Jamaica whose back is branded annually by his woman, Linga, a voodoo goddess with an elaborate design of scars on her beautiful mulatto face. When the family across the street from Pete's boardinghouse learns his story from a busybody neighbor, they too join the effort to redeem Pete, who feels ``cursed before man and God.'' The Leemers themselves are also part of the ``walking wounded''—mother Gertrude has just had a radical mastectomy; father Henry is a hard- working, overly cautious fellow; and daughter Sarah, who captures Pete's heart, fears the lump in her breast may be a legacy from her mother. After Henry dies from a heart attack, things take a turn for the bizarre, sucking Pete into a wild plot of corpse-snatching, cremation, and Rasta hocus-pocus. Only the strong and patient Sarah (``a woman to be reckoned with'') can pull Pete from this ``quagmire of craziness,'' and also reunite his family. A roomful of farting corpses indicates the depths to which Crews sinks here for comic relief. From sin to redemption, this highly improbable tale of hope and affirmation just doesn't cut it- -it's as belabored as the awkward title.

Pub Date: Feb. 1, 1992

ISBN: 0-671-74489-5

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1991

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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