The latest novel by this former master of true grit southern fiction smartly steers away from the slapstick antics that so marred his last (Body, 1990). Even so, Crews still can't re-create the redneck eloquence of his early work. All the losers and weirdos who people this off-kilter book bear some kind of scar, literal or metaphoric. Pete Butcher, boxcar worker and former Marine, carries the heaviest burden—three years earlier he accidentally slammed his four-year-old brother in the forehead with a hammer, turning the bright and affectionate boy into a slobbering vegetable. Shortly thereafter, his parents die in a flaming car wreck, his brother is institutionalized, and the rest of Pete's family rejects him. This Georgia boy quits the University of Florida after four days and finds himself busting his hump in Jacksonville, trying to forget the past. Only no one will let him. Not his co-worker George, a bulking Rastafarian from Jamaica whose back is branded annually by his woman, Linga, a voodoo goddess with an elaborate design of scars on her beautiful mulatto face. When the family across the street from Pete's boardinghouse learns his story from a busybody neighbor, they too join the effort to redeem Pete, who feels ``cursed before man and God.'' The Leemers themselves are also part of the ``walking wounded''—mother Gertrude has just had a radical mastectomy; father Henry is a hard- working, overly cautious fellow; and daughter Sarah, who captures Pete's heart, fears the lump in her breast may be a legacy from her mother. After Henry dies from a heart attack, things take a turn for the bizarre, sucking Pete into a wild plot of corpse-snatching, cremation, and Rasta hocus-pocus. Only the strong and patient Sarah (``a woman to be reckoned with'') can pull Pete from this ``quagmire of craziness,'' and also reunite his family. A roomful of farting corpses indicates the depths to which Crews sinks here for comic relief. From sin to redemption, this highly improbable tale of hope and affirmation just doesn't cut it- -it's as belabored as the awkward title.
Pub Date: Feb. 1, 1992
ISBN: 0-671-74489-5
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1991
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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