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THE MULCHING OF AMERICA

An over-the-top-comedy in which the veteran wildman of redneck fiction (Scar Lover, 1992, etc.) casts his satirical eye on the all-American world of door-to-door sales. As the title suggests, Crews aspires to the same level of social criticism as Arthur Miller, Sinclair Lewis, et al., but his vision is blurred by his obsessive interest in the disgusting and grotesque. For 25 years, Hickum Looney has sold the most products for the Soaps For Life company, a record exceeded only by the Boss himself, a snaggle-toothed maniac with a harelip who promises salvation through his crappy soap products and has amassed a fortune doing it. Hickum, based in Miami, leads the properly anonymous existence of a company man, but everything changes when two females come into his lonely life. Ida Mae, an old woman abandoned by her husband, helps Hickum sell more products in a single day than anyone else has ever sold. This has incredible repercussions at the home office in Atlanta, where the Boss sees his worldview challenged. Meanwhile, Gaye Nell Odell, a young ex- prostitute, along with her vicious pit bull, Bubba, shoves her way into Hickum's solitary life. She and the equally ``rank and randy'' Ida Mae help Hickum overcome such embarrassments as chronic diarrhea and insecurity about his ``little raggedy ass Vienna sausage'' of a penis. The Boss has his own problems: his chauffeur, an ex-con who's tired of being booted in the butt; and his trainer, who suffers similar physical abuse for the money. The two are plotting revenge when the entire crew is sidetracked by an even stranger plot involving a major company shakeup and the fulfillment of a long-held rumor concerning the fate of ousted employees. A roller-coaster-ride of a novel, ``neck deep in crazy,'' that eventually drowns in ridiculousness: Crews reaches too far in his conspiratorial lunacya very '60s gestureand spoils an otherwise funny book.

Pub Date: Oct. 26, 1995

ISBN: 0-684-80934-6

Page Count: 256

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1995

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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