Fast-moving fluff, with hours of fun for anyone determined to figure out who the bad guys really are.
Zippy tell-all follows the misadventures of Corki Brown, professional coddler to the stars.
Corki Brown has spent almost 20 years taking care of Hollywood celebrities—cooking their meals, picking up their dry cleaning, and using her garage to store their incriminating goods (gifts from an ex-boyfriend, unlicensed guns, etc.). She's thoroughly disenchanted with her career, but as a single mom with a ten-year-old son to support, she can't quit now. Our story opens on an annual ritual: purchasing memorable gifts for Steven Spielberg on behalf of her clients on the occasion of his birthday. She's also planning to cater a dinner for Academy Award–winner Lucy Bennett, and drop off the laundry of the latest conquest of aging star Jock Straupman. The author's strongest suit is in presenting these hectic, absurd mundanities of assistant work; she herself spent 20 years doing tasks that ostensibly resemble the ones her heroine faces, and her accounts of highway shortcuts and the bakshish system ring true. But for those hoping to get in on real-life, titillating scuttlebutt, the rest of her work is more obscure; although she's presumably dishing dirt on various baddies, it isn't clear exactly who’s who. Howard’s celebrity protagonists—Lucy, Jock, and others—seem to be composites; understandably, as presumably few Hollywood star would tolerate being presented as maintaining an underground arsenal or recruiting underage sex partners. (Jennifer Aniston, however, is mentioned by name as the rare celeb who treats her employees humanely.) The story gets wilder by the minute, as Corki's clients charge her with planning a last-minute wedding in Greece, and exchanging $100,000 for damning home videos; the whole is then wrapped up in an improbably neat twist, but the plot is hardly the point here.
Fast-moving fluff, with hours of fun for anyone determined to figure out who the bad guys really are.Pub Date: April 12, 2005
ISBN: 0-06-072391-2
Page Count: 288
Publisher: HarperEntertainment
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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