Next book

GHOST NEXT DOOR

From the Alice MacDonald Greer Mystery Series series , Vol. 5

A sufficient mystery elevated by a pragmatic and able heroine.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

A Texas lawyer becomes embroiled in a case of murder, arson, and deceit in this fifth installment of a thriller series.

Attorney Alice MacDonald Greer is chairing the Rules Committee at the First Annual Coffee Creek Barbecue Competition. She’s anticipating the occasional complaint but certainly not the body she stumbles on. The murder victim is John Pine, a food writer who had made a few enemies, including two renowned chefs acting as guest judges for the competition. Unfortunately, locals suspect Alice’s friend M.A. Ellison of the homicide, as she has an unmistakable link to the murder weapon. This gives Alice incentive to identify the real killer, but she already has her hands full. She has lost at least some business, likely due to the influence of Coffee Creek banker Clay Black. He thinks Alice is supporting her pal Red Griffin, a CPA who’s running against Clay in the election for the electric co-op board. Alice is also representing Clay’s estranged nephew, Caswell Bond, who just closed on a ranch that the banker had been interested in purchasing. This is the same property with a house that someone later decides to torch, and soon Alice is looking for a murderer and an arsonist—quite possibly the same person. Foster’s (Ghost Dagger, 2017, etc.) recurring protagonist deftly handles multiple tasks and hurdles. Not only is she running her law practice and tracking down criminals, she also finds herself in peril, as when someone shoots at her. The progressively complicated—though never convoluted—story ultimately includes drones and espionage. While who’s behind most or all of these activities isn’t particularly surprising, watching Alice piece together the puzzle is riveting, as the tale showcases her sharp reasoning. Alice and her friends are often refreshingly blunt, prompting the book’s crisp dialogue. For example, Red, who may be regretting her bid for the co-op board, informs Alice: “If ever again I tell you I want to run for anything, dogcatcher, whatever, just shoot me.”

A sufficient mystery elevated by a pragmatic and able heroine.

Pub Date: Sept. 22, 2018

ISBN: 978-0-692-16827-1

Page Count: 276

Publisher: Stuart's Creek Press

Review Posted Online: Dec. 8, 2018

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Next book

DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

Categories:
Close Quickview