Beautiful young Englishwomen and the men who disappoint them populate this tart and bitter debut collection by a former model and Vogue staff writer living in London—winner of the Somerset Maugham Award. ``I lay on the bed looking over my shoulder through a tangle of hair, across my dipping breast down to thighs like swan's wings. I felt electric and wanted him to look at me. But he slept within seconds.'' Much is expected of the men in Simpson's stories and next to nothing is received as a succession of young women living in both ancient and modern England fume over their martyrdom at the hands of love. In ``Zoe and the Pedagogues,'' a self-effacing student sullenly tolerates her professor lover's habit of treating her as a kind of pet; in ``The Bed,'' a depressed secretary risks enraging her drab young cohabiter by buying a magnificent new bed; in ``Good Friday, 1663,'' a 17th-century teenager dissects the hateful qualities of her new, much older husband while waiting to give birth to another man's child. In Simpson's world, sex is seen as a despicable business transaction (``Are you sure your friend Jim values you at your true worth?'' a wealthy wife asks her younger neighbor in ``A Shining Example'' shortly before she makes a pass at her) or as a self-imposed form of solitary confinement (``I don't know what he thinks about,'' the narrator says of her husband in the title story. `' `If only he could talk,' as old people say of their pets''), and men can be counted on to lie, steal, disappear after a single night or, worse, remain to prove themselves unutterably dull. Pessimistic images (the vacationing heroine of ``The Seafarer'' unpacks her clothes into ``a wardrobe no bigger than a coffin'') and dreary settings accumulate until the fate of the final, quasi-Kafkaesque story's heroine—death by hanging—comes as absolutely no surprise. ``Don't be morbid,'' snaps the condemned woman's mother shortly before the book's abrupt conclusion. Sound advice, too late. Simpson's talent should improve with age.
Pub Date: Feb. 1, 1992
ISBN: 0-517-58508-1
Page Count: 192
Publisher: Harmony
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1991
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
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