A satisfying blend of history and myth that breathes new life into “Cinderella.”
A loving re-creation of a well-known fairy tale.
The story, set in the mid-1600s, begins in earnest when Olivia, the fifth Hempstead daughter, catches the eye of a local baron, who subsequently “ha[s] her in the bushes.” A few months later, when it becomes obvious that Olivia is pregnant, Lord and Lady Hempstead send her away from their grand home to hide their shame. But after the young woman dies during childbirth, her loving nursemaid, Bessie, takes the baby—named Lucinda—back to her grandparents and convinces them to let them both live in a high, secluded wing of the manor. Unfortunately, the return to the family home is a mixed blessing for young Lucinda, who’s later put to hard labor by her relatives and forced to deal with condescension and abuse from the other children. Throughout, it’s Bessie—a veritable fairy godmother—who protects and guides the young child, whom one of her half siblings derisively labels “Lucy-cinder.” If this is all starting to sound familiar, it should, because Velmans’ (Jessaloup’s Song, 2011, etc.) ingenious novel is, at its core, an origin story for Cinderella. The author says in a note that she sees her project as a kind of tardy vindication of Charles Perrault, the 17th-century French author who’s often credited as the father of the fairy tale. (Perrault himself looms large as a character in the latter parts of the book.) Many years before the Brothers Grimm and Hans Christian Andersen put pen to paper, Perrault gave the world Sleeping Beauty, Mother Goose, Little Red Riding Hood, and a host of other iconic characters. So although this novel mainly pays specific homage to "Cinderella," Velmans laces the book with references to those other tales. The author builds this network with remarkable care, and although the resulting novel is a complex web of influences, it’s never a confounding one. Furthermore, she writes in a delicate, ornate prose style that has a transporting effect, bringing readers back to Perrault’s time and nestling them in a thoroughly alluring narrative.
A satisfying blend of history and myth that breathes new life into “Cinderella.”Pub Date: April 17, 2018
ISBN: 978-0-9994756-0-7
Page Count: 378
Publisher: Van Horton Books
Review Posted Online: April 16, 2018
Kirkus Reviews Issue: May 15, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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