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REMINISCENCES OF AN ACCIDENTAL EMBEZZLER

A remarkable portrait of a financial kleptomaniac.

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In this debut fictional memoir, a banker recounts his serial attempts at opportunistic fraud.

Both a U.S. and Swiss citizen, Kurt Wenner, working as an investment banker in Zurich in 1965, travels to South America on assignment. While there, he is tasked with transferring the money from a client’s account to his daughter’s. But the man dies before her account number is affixed to the proper form, leaving Wenner with an unexpected opportunity to seize the funds himself, something his wife, Ingrid, enthusiastically encourages him to do. But his theft is eventually discovered, and he flees to New York to avoid arrest, leaving his pregnant wife behind. Wenner gets work at several firms before landing a job at Morris, Brunner & Company, where he manages a European stock fund. Once again, he finds himself in trouble with his superiors after he dishonestly inflates the performance of his fund by diverting the money from unsettled trades into it, a possibility he learns by chance. He’s able to retain his position, though in a diminished state, and begins an affair with his assistant, Susan Maleska, and yet again stumbles on a way to illegally transfer money to an account he establishes in Grand Cayman. Wenner is caught again and convicted of embezzlement but manages to avoid jail time. He leaves New York, eventually ending up managing his own fund in California. But 12 years later, he brazenly returns to New York under the same name, wins a post at Second National Bank, and with the help of a colleague, embarks upon an even grander larceny. Hallengren cleverly builds the entire narrative from Wenner’s perspective, a brilliant and worldly man all but bereft of moral principle. The author subtly constructs a psychological profile of his protagonist—irresistibly drawn not only to illegal reward, but also the frisson of the risk itself. Amazingly, he returns to Zurich more than a decade after he fled the city to try to recover the money he embezzled, a recklessly gratuitous move. He makes a similarly imprudent decision to return to New York after years on the West Coast and to the banking industry under his real name, even calling his old flame, Susan, whom he once coldly abandoned. Since Hallengren allows Wenner to tell the tale—and he proves a fascinatingly unreliable narrator—these dangerous moves are deliciously downplayed as mere errors in strategy. Moreover, the author has Wenner depict himself as a victim of chance more than a scheming culprit, almost insanely unrepentant: “I never wanted to be a criminal. I never set out deliberately to steal anything. That money just seemed to fall from the sky in front of us, and all we did was pick it up.” One wishes Hallengren had furnished more information about Wenner’s early years—how did he become so amorally inclined? Nevertheless, this remains an impressive first novel, sharply written and devilishly conceived. 

A remarkable portrait of a financial kleptomaniac. 

Pub Date: Sept. 15, 2016

ISBN: 978-1-5245-4137-8

Page Count: 318

Publisher: Xlibris

Review Posted Online: July 13, 2017

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE RUMOR

Once again, Hilderbrand displays her gift for making us care most about her least likable characters.

Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.

Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”

Once again, Hilderbrand displays her gift for making us care most about her least likable characters.

Pub Date: June 16, 2015

ISBN: 978-0-316-33452-5

Page Count: 384

Publisher: Little, Brown

Review Posted Online: May 20, 2015

Kirkus Reviews Issue: June 1, 2015

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