by I. M. Hunt-Logan ‧ RELEASE DATE: July 16, 2018
A passionate and timely political tale that will appeal to the anti-Trump choir but likely won’t create many converts.
The murder of a “third-rate hack of a political consultant” triggers the plot of this debut novel.
Isaiah Whitman, a political activist, recalls the events that led him to a holding room at the Modesto, California, police department. He’s awaiting questioning regarding the death of Corey Strutsky, who was found shot in Whitman’s office. Whitman, who was once known as one of Silicon Valley’s “Rising Stars,” sold his business a while ago. Donald Trump’s election deeply concerned him and his twin sister, causing them to seek out “volunteer opportunities, and a path back to the nation we thought we knew.” They focused their attention on a California congressional race between Republican, white evangelical Mike Reed, and Latina community activist Sylvia Delgado, a Democrat. But they weren’t satisfied with simply making phone calls for Delgado. Whitman, a biracial man who’s long been “passing” for white, hatched an elaborate plot to pose as a supporter of Reed. He formed a political-action committee and targeted white, working-class voters who once voted for Barack Obama but swung to Trump. However, he didn’t want to win them over to Reed’s side; instead, he used deliberately racist rhetoric in order to horrify them into abandoning their Republican-voting ways. He hired Strutsky as a consultant who would “take messaging where others fear to tread.” But was Whitman using Strutsky, or was Strutsky using him? Although Hunt-Logan’s novel is billed as a “political mystery,” it reads more like an anti-Trump polemic—complete with citations to support arguments and data points. It may effectively serve as a call-to-action to non-voters who sat out the 2016 election; one character, for example, “excoriated friends who had told her they weren’t volunteering, as they ‘just weren’t that excited about Hillary.’ She said, ‘I hope they’re excited now.’ ” Still, many readers may find that the book displays more passion than it does nuance. Still, Hunt-Logan’s message is keenly felt, clearly urging readers to get politically engaged in the upcoming midterms—and beyond.
A passionate and timely political tale that will appeal to the anti-Trump choir but likely won’t create many converts.Pub Date: July 16, 2018
ISBN: 978-1-73247-680-6
Page Count: 292
Publisher: Skyline Ridge Press
Review Posted Online: Sept. 27, 2018
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Kirkus Prize
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National Book Award Finalist
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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