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THE FIRST VILLAGE

A maximally engaging tale of ancient Rome.

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Political intrigue and erotic charge fuel this novel set in the waning years of the Roman Empire.

“Stories get better and better after four hundred years,” according to this tale about Gen. Magnus Maximus, commander of the Roman forces in Britain in the twilight years of the fourth century. But if a 400-year-old story is great, a 1,600-year-old yarn must be even better. Such is the logic of Evans’ (Menace, 2017, etc.) engrossing work of historical fiction, which puts flesh on the biography of Maximus, one of Rome’s more intriguing figures. Maximus is a military leader—and a fine one at that—but the grumblings of his troops against the local emperor, Gratianus, have given the general dreams of the throne. Could he turn his military power into an empire? The temptation is real. Yet Maximus has other dreams too; these nighttime visions are of a woman of surpassing grace named Elen, who the author is at great pains to remind readers is the “most beautiful woman” that just about anyone has ever seen. Driven by his ambitions—both political and romantic—Maximus puts two plans in motion, one to become emperor and the other to win the literal woman of his dreams. All good historical fiction must start with superb history, and Evans has picked an excellent source. The general is complicated in all the right ways: Ambitious and talented, proud and provocative, Maximus is a protagonist pulled directly from central casting. And while the author is supported by the historical record, he is not confined by it, and he tweaks and bends the story adeptly to fit his own narrative needs. Perhaps the only small defect lies in the prose itself: Evans is an academic by training, and sometimes his book reads less like a novel on ancient Rome than a scholarly essay about it. But his writing is never too purple, and readers will be happy to trudge through the occasional linguistic thicket to find out what happens next.

A maximally engaging tale of ancient Rome.

Pub Date: March 28, 2019

ISBN: 978-1-78465-533-4

Page Count: 398

Publisher: Vanguard Press

Review Posted Online: May 31, 2019

Kirkus Reviews Issue: July 1, 2019

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE NICKEL BOYS

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 20, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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