A fun biography of an underappreciated cinema landmark.
A behind-the-scenes look at a unique film from Hollywood’s golden age.
Discussions about the cinema year of 1939 usually touch on such classic films as Gone With the Wind and The Wizard of Oz. Less frequently cited is The Women, possibly because of the unique casting for its day: All 135 speaking roles belong to women. The actress Douglas—granddaughter of actor Melvyn Douglas, who co-starred with Greta Garbo in 1939’s Ninotchka—shines a welcome light on The Women with this engaging work. The film is based on the 1936 Clare Boothe Luce play about upper-class Manhattan women and their coddled lives, “the first Broadway play written by a woman, told from a woman’s point of view, and with an all-female cast.” The play was a hit, so MGM made it into a film, with George Cukor directing. Douglas’ book charts the project’s history. F. Scott Fitzgerald, David Ogden Stewart, Jane Murfin, and Anita Loos took turns at the screenplay. Cukor gained his reputation as a women’s director with the film. As for the stars, Norma Shearer and Joan Crawford were MGM rivals who hated each other; Rosalind Russell “was not considered beautiful enough to be a leading lady, nor unattractive enough to be a character actress”; Paulette Goddard was a “dedicated party girl”; and 21-year-old Joan Fontaine was determined to prove “that she was more than just the younger, less talented, less beautiful sister of Olivia de Havilland.” This is a book for cinema completists who like a deep dive into one film, with details about everyone from the art director to the hair stylist. And it contains juicy stories of petty behavior, as when Shearer saw that Crawford’s trailer stood out a foot farther than hers and “demanded Crawford’s trailer be moved back one foot in accordance with the others. Round one to Shearer.”
A fun biography of an underappreciated cinema landmark.Pub Date: Sept. 15, 2026
ISBN: 9781493093946
Page Count: 304
Publisher: Lyons Press
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
BOOK REVIEW
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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