A fresh, fearless voice takes no prisoners.
A U.S. debut by British author Edwards-Jones skewers a provincial ex-pat community toughing it out amid the sensuous wilds of Tuscany.
For five years, 40-something Belinda Smith has owned and operated a fairly high-end B&B in the rarefied Tuscan valley of Val di Santa Caterina, near the town of Poggibonsi. A snobbish, petty divorcée from the “dull dormitory town” of Tilling, England, which she fled upon discovering her husband in bed with a neighbor, Belinda prides herself on her thoroughly affected Italian way of life. She spies on her ex-pat neighbors from her terrace perch, mangles Italian phrases, abuses the help as well as her small, neat daughter, Mary, 20, who has been fired from her London job and is spending the summer helping Mum for the busy tourist season. Belinda, in truth, is a misanthrope, can’t stand children or smokers anywhere near her place, weeds out the riff-raff by the nature of their Internet queries, steams labels off jam jars to deceive her guests, and spends most of her day drinking gallons of wine at the local watering-hole with fellow sodden ex-pats such as Manchester ladies’ underwear manufacturer Derek, his wife Barbara and alcohol-fueled novelist Howard Oxford, who has suffered writer’s block since his bestseller in the ’80s. She also offers entries from her chirpy diary and corny recipes from “Casa Mia.” When the neighboring Casa Padronale is purchased by an American, no less, Belinda instantly switches into battle action to subvert any attempt at a rival B&B. Owner Lauren, it turns out, made her money in hostile takeovers on Wall Street, and she chews up Belinda like a stick of gum—all while her handsome Yalie son, Kyle, courts the modest and dutiful Mary. Edwards-Jones has fashioned a near-bloody satirical stab at the sentimental Under the Tuscan Sun set, both American and English—with a result quite winning.
A fresh, fearless voice takes no prisoners.Pub Date: April 26, 2005
ISBN: 0-345-47880-0
Page Count: 336
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2005
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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