The old problem of free will and predestination gets a good workout, but Betancourt’s novel is less satisfying than her 2010...

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THE BLUE LINE

Erstwhile Colombian politician Betancourt (Until Death Do Us Part, 2002, etc.) tries her hand at a kind of watery magical realism in this debut novel.

Bad things happen to good people, and good things happen to bad people. That explains why someone like Juan Perón could have returned to power following disgrace and why the generals who ruled Argentina in the 1970s and '80s could have disappeared so many men and women who simply sought justice. Julia and Theo are caught up in events. As a very young girl, Julia had learned that she could see things unfolding through the eyes of others, a kind of clairvoyance accompanied by tremors and “an irrational feeling of panic.” Moreover, Julia has a touch of synesthesia, and for her, “happiness is blue,” as in the place where the blue line of the sky meets that of the ocean. That’s all well and good, but Julia doesn’t see far enough into her own future to see that life with Theo is going to be difficult: “He wasn’t handsome by any means,” writes Betancourt, with the head-scratchingly vague addendum, “but he had the appeal of young people who enjoy other people’s company.” Life with Theo is complicated in part because he’s got a wandering eye, in part because of the inquisitors who disapprove of the young couple’s generously liberal politics: “Say good-bye to your youth, asshole,” barks one. “When you come back you’ll feel a hundred years old.” Improbably, Julia and Theo make their way out of prison to the comfortable suburbs of America, where a different future unfolds. The best passages of Betancourt’s novel take place behind bars, which speaks to her own well-known captivity in the hands of Marxist guerrillas. Against this, Julia’s supernatural powers seem an unnecessary flourish, though clearly she’s useful to have on hand if trying to dodge oncoming cars or downward-hurtling planes.

The old problem of free will and predestination gets a good workout, but Betancourt’s novel is less satisfying than her 2010 memoir Even Silence Has an End.

Pub Date: Jan. 26, 2016

ISBN: 978-1-59420-658-0

Page Count: 368

Publisher: Penguin Press

Review Posted Online: Oct. 28, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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A touching family drama that effectively explores the negative impact of stress on fragile relationships.

A WEEK AT THE SHORE

A middle-aged woman returns to her childhood home to care for her ailing father, confronting many painful secrets from her past.

When Mallory Aldiss gets a call from a long-ago boyfriend telling her that her elderly father has been gallivanting around town with a gun in his hand, Mallory decides it’s time to return to the small Rhode Island town that she’s been avoiding for more than a decade. Mallory’s precocious 13-year-old daughter, Joy, is thrilled that she'll get to meet her grandfather at long last, and an aunt, too, and she'll finally see the place where her mother grew up. When they arrive in Bay Bluff, it’s barely a few hours before Mallory bumps into her old flame, Jack, the only man she’s ever really loved. Gone is the rebellious young person she remembers, and in his place stands a compassionate, accomplished adult. As they try to reconnect, Mallory realizes that the same obstacle that pushed them apart decades earlier is still standing in their way: Jack blames Mallory’s father for his mother’s death. No one knows exactly how Jack’s mother died, but Jack thinks a love affair between her and Mallory’s father had something to do with it. As Jack and Mallory chase down answers, Mallory also tries to repair her rocky relationships with her two sisters and determine why her father has always been so hard on her. Told entirely from Mallory’s perspective, the novel has a haunting, nostalgic quality. Despite the complex and overlapping layers to the history of Bay Bluff and its inhabitants, the book at times trudges too slowly through Mallory’s meanderings down Memory Lane. Even so, Delinsky sometimes manages to pick up the pace, and in those moments the beauty and nuance of this complicated family tale shine through. Readers who don’t mind skimming past details that do little to advance the plot may find that the juicier nuggets and realistically rendered human connections are worth the effort.

A touching family drama that effectively explores the negative impact of stress on fragile relationships.

Pub Date: May 19, 2020

ISBN: 978-1-250-11951-3

Page Count: 416

Publisher: St. Martin's

Review Posted Online: March 2, 2020

Kirkus Reviews Issue: March 15, 2020

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A love letter to the power of books and friendship.

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THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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