Dart (Show Business Kills, 1995, etc.) returns with yet another commercial tearjerker, a story that has success written all over it. Herself a former comedy writer, Dart presents us with Lily Benjamin, TV comedy writer, whose 15-year-old son, Bryan, has his spinal cord severed by a jealous husband’s gunfire. That’s the opening scene, hinting horribly that this deeply amusing novel is going to veer off into sober melodrama before it ends. But it doesn’t—it stays right on track for a soap-operatic climax. And Lily is surrounded by plum roles for actors. Her boss, hospitalized top comedy writer Harry Green, lies dying of cancer but still flowing with jokes and writing the latest episode of a schlocky sitcom. When Harry dies, he’s replaced by Charlie Roth, the God of Jokes to all comedy writers. Sometimes referred to as Quasimodo, Charlie is a physical mess, with a head forever bobbing, a gait so rolling and twisted he can barely climb steps—and a face that’s no pleasure to look at, either. When the comedy team gets to work on a new sitcom episode and Lily complains about their cigar smoke, Charlie hangs her by her ankles out the fourth- floor window. Yes, he’s stolen this trick from Sid Caesar and Mel Brooks, but even so it doesn’t endear him to Lily. Thus when Charlie, with humor and tricks, begins helping fellow cripple Bryan recover his will to live, Lily, now engaged to a blandly handsome cardiologist, is slow to respond. As for the climax, it will go down in pop history when it’s filmed.
Pub Date: April 1, 1999
ISBN: 0-688-16034-4
Page Count: 224
Publisher: Morrow/HarperCollins
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: March 1, 1999
Categories: GENERAL FICTION
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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.
Pub Date: June 15, 1963
ISBN: 0451228146
Page Count: 181
Publisher: Praeger
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: June 15, 1963
Categories: GENERAL FICTION
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A middle-aged woman returns to her childhood home to care for her ailing father, confronting many painful secrets from her past.
When Mallory Aldiss gets a call from a long-ago boyfriend telling her that her elderly father has been gallivanting around town with a gun in his hand, Mallory decides it’s time to return to the small Rhode Island town that she’s been avoiding for more than a decade. Mallory’s precocious 13-year-old daughter, Joy, is thrilled that she'll get to meet her grandfather at long last, and an aunt, too, and she'll finally see the place where her mother grew up. When they arrive in Bay Bluff, it’s barely a few hours before Mallory bumps into her old flame, Jack, the only man she’s ever really loved. Gone is the rebellious young person she remembers, and in his place stands a compassionate, accomplished adult. As they try to reconnect, Mallory realizes that the same obstacle that pushed them apart decades earlier is still standing in their way: Jack blames Mallory’s father for his mother’s death. No one knows exactly how Jack’s mother died, but Jack thinks a love affair between her and Mallory’s father had something to do with it. As Jack and Mallory chase down answers, Mallory also tries to repair her rocky relationships with her two sisters and determine why her father has always been so hard on her. Told entirely from Mallory’s perspective, the novel has a haunting, nostalgic quality. Despite the complex and overlapping layers to the history of Bay Bluff and its inhabitants, the book at times trudges too slowly through Mallory’s meanderings down Memory Lane. Even so, Delinsky sometimes manages to pick up the pace, and in those moments the beauty and nuance of this complicated family tale shine through. Readers who don’t mind skimming past details that do little to advance the plot may find that the juicier nuggets and realistically rendered human connections are worth the effort.
A touching family drama that effectively explores the negative impact of stress on fragile relationships.Pub Date: May 19, 2020
ISBN: 978-1-250-11951-3
Page Count: 416
Publisher: St. Martin's
Review Posted Online: March 2, 2020
Kirkus Reviews Issue: March 15, 2020
Categories: FAMILY LIFE & FRIENDSHIP | GENERAL FICTION
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