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CRIME

A good man in a very bad world, Lennox deserves a thematically richer novel.

Dime-store psychology and half-baked moralizing undermine this character-driven police procedural.

The fiction of Scotland’s Welsh has traveled quite a distance from Trainspotting, as he returns to a character introduced in Filth (1998), a novel with a generic title similar to this one’s. A sidekick in that book, Scottish DI Ray Lennox, takes center stage here. The investigation of a child rape and murder has left Lennox unhinged, so he is ordered to take recuperative leave with his fiancée, Trudi, in Miami. Obviously his superiors haven’t read enough Florida crime fiction to realize that this cesspool isn’t likely to facilitate Lennox’s recovery. First he decides to discontinue the anti-depressants that have barely been keeping him afloat, and to return to the self-medication of alcohol and illicit drugs. Thus he finds himself increasingly at odds with Trudi, who is obsessed with planning the perfect wedding while Lennox’s psyche continues to spiral downward. What was intended as a romantic getaway to take Lennox far from his troubles instead leads to a binge in which (what a coincidence!) he stumbles upon an American pedophile ring. Against considerable odds (and risking his crumbling relationship with Trudi in the process), he attempts to rescue a young girl in Florida as some sort of compensation for his failure to do the same in Scotland. A clever stylistic strategy is to alternate conventional, third-person, present-tense narration with second-person past-tense flashbacks (thus allowing the reader to enter Lennox’s mind as “you”). Yet the novel is weakest when Welsh tries to provide the underpinnings for his protagonist’s obsession in a boyhood trauma and dysfunctional family. Though Lennox is “depressed, lonely, and hung-over in a strange place, without his medication and possibly more vulnerable than he’d ever been in his life,” he’s ultimately the closest thing to a hero that the novelist has allowed himself to create.

A good man in a very bad world, Lennox deserves a thematically richer novel.

Pub Date: Sept. 1, 2008

ISBN: 978-0-393-06819-1

Page Count: 320

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2008

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THE INNOCENT WIFE

A grim and unbearably tense debut chiller with an unexpected and utterly fitting finale.

A lonely British schoolteacher falls for an American man incarcerated for the murder of a young woman. What could possibly go wrong?

Samantha, 31, is still reeling from a bad breakup when she discovers Framing the Truth: The Murder of Holly Michaels, an 18-year-old true-crime documentary about the killing of a young girl by then-18-year-old Dennis Danson, aka the suspected Red River Killer, who’s still on death row in Florida’s Altoona Prison. Sam writes to Dennis, and soon they’re declaring their love for each other. Sam flies to the U.S. to meet him, and although they’re separated by plexiglass, she knows that she’s found the love of her life. The chirpy Carrie, who co-produced and directed the first documentary, is Sam’s guide while she’s there, and Sam accompanies her while they film a new series about Dennis, A Boy from Red River. Sam and Dennis quickly marry when new evidence comes to light and Dennis is exonerated and released. Amid a whirlwind of talk shows, celebrity attention, and the new series premiere, married life isn’t quite what Sam had hoped for: intimacy is nonexistent, the already self-loathing Sam feels unloved and unwanted, and the appearance of Dennis’ clingy childhood friend Lindsay Durst sends Sam into a jealous fit. After Dennis’ father dies, they move into Dennis’ childhood home, and Sam begins to suspect he may be hiding something. After all, what actually happened to all those other missing girls? Refreshingly, Lloyd seems absolutely unconcerned with whether or not her characters are likable, and although a few British sayings ("round," “in hospital”) make their way into the dialogue of the American characters, her research into the aftereffects of long incarceration is obvious, and her portrait of an emotionally damaged woman feels spot-on.

A grim and unbearably tense debut chiller with an unexpected and utterly fitting finale.

Pub Date: Feb. 6, 2018

ISBN: 978-1-335-95240-0

Page Count: 320

Publisher: Hanover Square Press

Review Posted Online: Dec. 23, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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IN THE WOODS

From the Dublin Murder Squad series , Vol. 1

When not lengthily bogged down in angst, a readable, non-formulaic police procedural with a twist. It’s ultimately the...

The discovery of a body near a spooky wood forces a murder-squad detective in Ireland to confront his own horrific past, in an engrossing if melancholy debut.

This mystery, heavy on psycho-drama, is set in the Dublin suburb of Knocknaree and is the first in a sequence to feature detectives Cassie Maddox and Adam Ryan. Adam has hidden his secret from everyone in the police force except his partner and best friend Cassie. She alone knows that he was the surviving child of three who went missing in the wood in 1984. Adam was found clinging to a tree, his shoes full of blood; there was no trace of his pals Peter and Jamie, nor could Adam remember a thing. Now, 20 years on, Katy Devlin’s battered body has been found by the same wood, where an archaeological dig is in progress, under threat from plans for a new road. The investigation—Operation Vestal—evokes queasy sensations and flashes of recollection in Adam. The relationship with Cassie goes awry after the two sleep together. Adam eventually solves the Katy Devlin murder, but in this meditation on lost innocence, psychopathology and fear, his success is ruined when his own history emerges, leading to demotion.

When not lengthily bogged down in angst, a readable, non-formulaic police procedural with a twist. It’s ultimately the confession of a damaged man.

Pub Date: May 21, 2007

ISBN: 978-0-670-03860-2

Page Count: 464

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2007

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