THE FIGHT OF OUR LIVES

MY TIME WITH ZELENSKYY, UKRAINE'S BATTLE FOR DEMOCRACY, AND WHAT IT MEANS FOR THE WORLD

A nuanced portrait of a leader in a time of crisis who has definitely risen to the occasion.

The former press secretary to Ukrainian president Volodymyr Zelenskyy lays out the stakes of the current war.

“Perhaps he had not always been a perfect leader,” writes Mendel. “There had been difficulty in mustering the necessary support around his initiatives, managing his staff, and navigating the shoals of partisan politics. But in the chaos of war he knew exactly what to do. He became our national protector.” Indeed, Zelenskyy came into his own as a wartime leader of unflinching courage and a deeply wrought conviction that Ukraine is a bulwark of Western democracy and a nation that belongs in the 21st century. By contrast, Mendel writes in a closely observed portrait, “there is only one way to describe Putin: ‘old age.’ No matter how much I looked at him and his delegation, no matter how much I listened, everything about them conveyed old age: old ideology, old principles, old behavior, old thoughts.” Readers will find a generally admiring but not entirely uncritical depiction of Zelenskyy as well. He is a masterful negotiator who understands that peace is preferable to war, for “only with peace can he focus on rebuilding his nation.” That rebuilding involves guiding Ukraine to forward-looking economic, social, and cultural standards and shaking off the power of oligarchs, but it also acknowledges that Ukraine is a multicultural society that includes ethnic Russians—who, in the course of the current war, have discovered that their language is now associated with “inhumanity and cruel aggression,” so much so that they’re switching to speaking Ukrainian as an expression of solidarity. Readers will also find a cleareyed look at both the reasons for Russia’s intransigence and the countervailing force of Ukrainian resistance in a war that “has burned away all that was artificial and superficial in our lives.”

A nuanced portrait of a leader in a time of crisis who has definitely risen to the occasion.

Pub Date: Sept. 13, 2022

ISBN: 978-1-66801-271-0

Page Count: 240

Publisher: One Signal/Atria

Review Posted Online: June 12, 2022

Kirkus Reviews Issue: July 15, 2022

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  • New York Times Bestseller

TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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