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A Grateful Nation

A THRILLER

An often exhilarating novel despite the fact that its lawyer protagonist gets few opportunities to display his legal wiles.

In Weinberg’s debut thriller, a California lawyer defends a psychiatrist after someone stabs one of the doctor’s Vietnam veteran patients.

Dr. David Samson, who works at a Department of Veterans Affairs psychiatric compound in Hawaii, is in desperate need of legal assistance. A murdered vet lands Samson in trouble when cops believe that high doses of antidepressants were the reason for the killer’s violence. Based on a recommendation, Samson seeks help from California public defender Noah Shane. The doctor already suspects a coverup: he thinks that unknown persons, possibly from the military or the VA, are trying to stop his experimental drug tests. Later, it turns out that Army and civilian medical records for patients at the compound have strangely gone missing. Samson’s suspicions seem to be justified when there’s another murder before his trial can even begin as well as a few kidnappings. This legal thriller concentrates mainly on the thriller aspects, as Noah is rarely inside a courtroom. In fact, he spends most of his time in the later part of the novel taking part in a pseudo–court-martial held by vengeful, crazed vets. Noah’s life in general is filled with tension and suspense, which Weinberg dishes out with panache. He reveals, for example, that there’s another significant reason why Samson hand-picked Noah as his attorney—one that the psychiatrist doesn’t divulge for quite some time. Noah also seems to have genuine feelings for a trio of women: law school pal Kate Waverly, ex-prostitute/junkie Lisa Sanders, and Hawaiian attorney Stephanie Kauna-Luke. Unfortunately, his apparent fickleness diminishes his ultimate choice of relationship. However, the female supporting characters still manage to shine, particularly Stephanie, who proves herself to be a smart, competent lawyer at Samson’s trial.

An often exhilarating novel despite the fact that its lawyer protagonist gets few opportunities to display his legal wiles.

Pub Date: June 19, 2015

ISBN: 978-0-692-43742-1

Page Count: 328

Publisher: Curtis Brown Unlimited

Review Posted Online: Oct. 13, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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