A finely wrought compilation, despite its occasional flaws.
U.S. Foreign Service veteran Tucker (Innocents Return Abroad, 2012) offers a collection of nine short, autobiographical stories.
These tales about life abroad offer colorful descriptions of faraway lands as seen through the lens of an American diplomat. But the author, ever the careful observer, proves to be most interested in the fascinating characters he met in these locales. In taut prose, he describes his colleagues, their inner worlds, their torments, and their domestic strife to reveal the layered complexity of their lives. In each far-flung post, he encountered people who intrigued him, including women whose self-contradictions and persuasive magnetism exercised a magical yet dangerous allure. In El Salvador, for example, he encountered the decisive and talkative Rosa Marina Baxter, the wife of a hapless expatriate American and a sharp poker player: “Her large, pale blue eyes were a little tired; her face was slightly lined but finely featured; her mouth smiled easily and often made a pout-like expression that suggested a sense of tolerant irony.” Whether he was in Central America, Australia, the Caucasus, or stateside in Washington, D.C., Tucker often found himself trying to sort out the relationships and motivations of women. However, the author reveals little in this book about his own relationships with them, although he does write of his attempt to attract a blonde at North Camp, a Middle Eastern post that was otherwise dominated by men. But instead of wooing her, he engaged her and another male colleague in an all-night card game. Sadly, some textual errors mar these tales: triple-quote marks litter the text and copy editing issues (“alright” for “all right”; “lay” for “lie”) also detract.
A finely wrought compilation, despite its occasional flaws.Pub Date: May 26, 2016
ISBN: 978-1-5331-8806-9
Page Count: 294
Publisher: CreateSpace
Review Posted Online: Sept. 12, 2016
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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