A troubled protagonist, beset by disaster and malefaction, is touched by magic as he develops new emotional connections.

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TWO IF BY SEA

After losing his wife and unborn son in a tsunami in Australia, an expat horse trainer adopts a psychic 3-year-old.

As Mitchard’s (Second Nature: A Love Story, 2011, etc.) latest novel opens, a killer wave hits Brisbane. Among the victims are ex-cop Frank Mercy’s pregnant wife and almost her entire extended family. Dazed and grief-stricken, Frank joins the volunteer rescue efforts the next day, coming to the aid of a woman and two small boys in a van that is half underwater. He plucks out the littler child, but before he can get to the others, the vehicle is swept away. When the devastated Frank returns to his family’s horse farm in Wisconsin a few weeks later, he takes the components of an unexpected new life: the boy (whom he has not bothered to legally adopt), a huge horse named Glory Bee, and a young Irish groom. By this time he's learned that the boy he named Ian, who rarely speaks, has a telepathic gift—he can enter the minds of enraged people and make them calm down and be nice. Animals, too, as Frank sees when they descend into the cargo hold of their international flight, where Glory Bee and other zoo and domestic animals are going wild from the turbulent ride. “The boy had to jump back after the first time he touched Glory Bee’s leg through the…wooden slats of the makeshift stall.…She was roaring, cantering in place. But the second time Ian touched her, she stopped, and if she were a woman, Frank believed he would have seen her stand there, sobbing.” Frank recognizes the possibility that Ian’s power could easily be used for evil—and soon enough, it becomes clear that very bad people are hunting him down, murdering those who get in their way. Meanwhile, Frank meets another woman, an equestrian psychiatrist who asks him to train her and her horse for the Olympics. As his heart begins to heal, he faces the challenge of protecting Ian from the mounting threat.

A troubled protagonist, beset by disaster and malefaction, is touched by magic as he develops new emotional connections.

Pub Date: March 15, 2016

ISBN: 978-1-5011-1557-8

Page Count: 416

Publisher: Simon & Schuster

Review Posted Online: Dec. 9, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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