A troubled protagonist, beset by disaster and malefaction, is touched by magic as he develops new emotional connections.

TWO IF BY SEA

After losing his wife and unborn son in a tsunami in Australia, an expat horse trainer adopts a psychic 3-year-old.

As Mitchard’s (Second Nature: A Love Story, 2011, etc.) latest novel opens, a killer wave hits Brisbane. Among the victims are ex-cop Frank Mercy’s pregnant wife and almost her entire extended family. Dazed and grief-stricken, Frank joins the volunteer rescue efforts the next day, coming to the aid of a woman and two small boys in a van that is half underwater. He plucks out the littler child, but before he can get to the others, the vehicle is swept away. When the devastated Frank returns to his family’s horse farm in Wisconsin a few weeks later, he takes the components of an unexpected new life: the boy (whom he has not bothered to legally adopt), a huge horse named Glory Bee, and a young Irish groom. By this time he's learned that the boy he named Ian, who rarely speaks, has a telepathic gift—he can enter the minds of enraged people and make them calm down and be nice. Animals, too, as Frank sees when they descend into the cargo hold of their international flight, where Glory Bee and other zoo and domestic animals are going wild from the turbulent ride. “The boy had to jump back after the first time he touched Glory Bee’s leg through the…wooden slats of the makeshift stall.…She was roaring, cantering in place. But the second time Ian touched her, she stopped, and if she were a woman, Frank believed he would have seen her stand there, sobbing.” Frank recognizes the possibility that Ian’s power could easily be used for evil—and soon enough, it becomes clear that very bad people are hunting him down, murdering those who get in their way. Meanwhile, Frank meets another woman, an equestrian psychiatrist who asks him to train her and her horse for the Olympics. As his heart begins to heal, he faces the challenge of protecting Ian from the mounting threat.

A troubled protagonist, beset by disaster and malefaction, is touched by magic as he develops new emotional connections.

Pub Date: March 15, 2016

ISBN: 978-1-5011-1557-8

Page Count: 416

Publisher: Simon & Schuster

Review Posted Online: Dec. 9, 2015

Kirkus Reviews Issue: Dec. 15, 2015

Did you like this book?

No Comments Yet

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

Did you like this book?

Miller makes Homer pertinent to women facing 21st-century monsters.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2018

  • New York Times Bestseller

CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

Did you like this book?

more