Humor, contemplation, and masterful illustrations.

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BERTOLT

A character who resembles the Kilroy image of World War II—with the addition of a mobile body—reveals himself as an imaginative introvert.

His simple, cartoonish, acorn-capped head sways flawlessly from side to side, as the single-mittened character/narrator expresses his irritation: “Darn, darn, and more darn. Where’s my mitten? I don’t see it anywhere.” His decision to choose a strongly mismatched mitten from “the Lost & Found” (lockers in the background imply it’s at school) leads to musings—not over someone else’s missing mitten but over being mistreated if you are different. This segues into the character’s assertion that he is a loner who likes his life that way. Lively illustrations of solitary fishing, baking, one-sided chess games, and nighttime skateboarding—in a graveyard!—back up his claims. Finally, readers meet the ancient, titular oak tree, among whose branches the narrator has spent many enjoyable hours. Tangents emerge as readily as Bertolt’s branches—among them, furtive lives of townsfolk (all of whom appear to be white, including the narrator) and observations of wildlife and weather. When Bertolt does not produce leaves one spring, it takes a while for the truth to sink in. In a burst of ingenuity that leads readers all the way back to the story’s opening, the narrator memorializes his arboreal friend. Fine, black inked lines, occasional washes, and the remarkable use of textural colored pencils never miss a beat in extending the text.

Humor, contemplation, and masterful illustrations. (Picture book. 6-12)

Pub Date: April 14, 2017

ISBN: 978-1-59270-229-9

Page Count: 80

Publisher: Enchanted Lion Books

Review Posted Online: Feb. 4, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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With Ivan’s movie out this year from Disney, expect great interest—it will be richly rewarded.

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THE ONE AND ONLY BOB

Tiny, sassy Bob the dog, friend of The One and Only Ivan (2012), returns to tell his tale.

Wisecracking Bob, who is a little bit Chihuahua among other things, now lives with his girl, Julia, and her parents. Happily, her father works at Wildworld Zoological Park and Sanctuary, the zoo where Bob’s two best friends, Ivan the gorilla and Ruby the elephant, live, so Bob gets to visit and catch up with them regularly. Due to an early betrayal, Bob doesn’t trust humans (most humans are good only for their thumbs); he fears he’s going soft living with Julia, and he’s certain he is a Bad Dog—as in “not a good representative of my species.” On a visit to the zoo with a storm threatening, Bob accidentally falls into the gorilla enclosure just as a tornado strikes. So that’s what it’s like to fly. In the storm’s aftermath, Bob proves to everyone (and finally himself) that there is a big heart in that tiny chest…and a brave one too. With this companion, Applegate picks up where her Newbery Medal winner left off, and fans will be overjoyed to ride along in the head of lovable, self-deprecating Bob on his storm-tossed adventure. His wry doggy observations and attitude are pitch perfect (augmented by the canine glossary and Castelao’s picture dictionary of dog postures found in the frontmatter). Gorilla Ivan described Julia as having straight, black hair in the previous title, and Castelao's illustrations in that volume showed her as pale-skinned. (Finished art not available for review.)

With Ivan’s movie out this year from Disney, expect great interest—it will be richly rewarded. (afterword) (Fiction. 8-12)

Pub Date: May 5, 2020

ISBN: 978-0-06-299131-7

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: March 25, 2020

Kirkus Reviews Issue: April 15, 2020

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The buoyant uplift seems a bit pre-packaged but spot-on nonetheless.

THE WORLD NEEDS MORE PURPLE PEOPLE

A monohued tally of positive character traits.

Purple is a “magic color,” affirm the authors (both actors, though Hart’s name recognition is nowhere near the level of Bell’s), and “purple people” are the sort who ask questions, laugh wholeheartedly, work hard, freely voice feelings and opinions, help those who might “lose” their own voices in the face of unkindness, and, in sum, can “JUST BE (the real) YOU.” Unlike the obsessive protagonist of Victoria Kann’s Pinkalicious franchise, being a purple person has “nothing to do with what you look like”—a point that Wiseman underscores with scenes of exuberantly posed cartoon figures (including versions of the authors) in casual North American attire but sporting a wide range of ages, skin hues, and body types. A crowded playground at the close (no social distancing here) displays all this wholesome behavior in action. Plenty of purple highlights, plus a plethora of broad smiles and wide-open mouths, crank up the visual energy—and if the earnest overall tone doesn’t snag the attention of young audiences, a grossly literal view of the young narrator and a grandparent “snot-out-our-nose laughing” should do the trick. (This book was reviewed digitally with 10.4-by-20.6-inch double-page spreads viewed at 22.2% of actual size.)

The buoyant uplift seems a bit pre-packaged but spot-on nonetheless. (Picture book. 6-8)

Pub Date: June 2, 2020

ISBN: 978-0-593-12196-2

Page Count: 40

Publisher: Random House

Review Posted Online: June 3, 2020

Kirkus Reviews Issue: June 15, 2020

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