Fifteen stories from Hall (Music from a Broken Piano, 1983, etc.)—gritty, hard-luck pieces about disappointment told in a variety of voices. The title story is told by a woman who left her low-rent husband and Oregon to settle in L.A., where she works at an auto- parts store (``I usually worked anything that was white and tattooed'') with black co-worker Asa. The story manages to include biographical sketches with a plot concerning the disappearance of parts from the store and, eventually, the destruction of the place in a suspicious fire. The narrator not only survives, however, but finds a better job and moves up in the world. ``But Who Gets the Children?'' has an ending that is less upbeat. Here, an alcoholic salesman with a wife who is obsessed with remodeling their split- level erupts one evening, in his wife's absence, and trashes the carefully remodeled house. Likewise—in another look at the dark side of the American dream—``The Rock Pool'' is about a reckless girl who steals her brother's car, rents a cottage at a rural motel, and proceeds to shack up with a backpacker before disappearing and just as suddenly showing up dead, floating in the motel's rock pool. The story's vitality emerges as the motel's proprietor and his wife try to reconstruct the girl's history from what little they know and from what the proprietor imagines. ``The Lettuce Wars,'' told by an illegal alien, is about a pilot who crashes while flying too low over the wrong field—it's a quirky vision, unlike ``Beirut,'' which is merely dramatized TV news, and ``A Rumor of Metal,'' which uses sf elements to obfuscate rather than clarify. Despite some implausibilities and flat spots: a jazzy aria redolent of life in contemporary America.
Pub Date: April 1, 1992
ISBN: 1-55728-233-1
Page Count: 224
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1992
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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