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LAST MAN STANDING

MORT SAHL AND THE BIRTH OF MODERN COMEDY

A sympathetic, evenhanded biography of a man notorious for his savage wit.

Biography of the acerbic, irreverent comedian who inspired a new generation of performers.

When Mort Sahl (b. 1927) debuted on stage in 1953 in San Francisco, he wanted his pithy social and political jibes to change comedy. In an entertaining, abundantly—sometimes overwhelmingly—detailed biography, Curtis (William Cameron Menzies: The Shape of Films to Come, 2015, etc.), biographer of Spencer Tracy, Preston Sturges, and W.C. Fields, makes a strong case for Sahl’s influence. For Woody Allen, Sahl opened up “a whole new style of humor” that led him to become a performer rather than just a writer. Dick Cavett called Sahl’s performances “stunning.” Among early admirers were Jack Benny, Groucho Marx, and Milton Berle. Skewering presidents, platitudes, and hypocrisy, Sahl got his material from daily newspapers, which he often carried onstage. “Wherever there is political bloat,” Hubert Humphrey remarked, “Mort sticks a pin in it.” He set out to shock and discomfit. “Are there any groups we haven’t offended yet?” Sahl often asked his audiences. Curtis had Sahl’s cooperation and also interviewed colleagues, one ex-wife, and assorted friends. While celebrating Sahl’s career, he is forthright about his subject’s many shortcomings. Foremost among them was a tendency to bitterness, anger, and paranoia. He was certain, for example, of an “industry-wide conspiracy” to keep him off TV even though his appearances were not always successes. He was convinced, as well, that John F. Kennedy’s assassination was the result of a conspiracy and, to the point of obsession, embraced the theories advanced by Mark Lane and Jim Garrison. “In time,” Curtis asserts, “the conspiracy Sahl blamed for keeping him unemployed got conflated with the one he saw as being responsible for the death of the president.” The author follows Sahl’s life chronologically, accounting for every nightclub, movie, TV, radio, and stage appearance; the women he dated, married, and broke up with; the colleagues he befriended or alienated; and the demons that beset him.

A sympathetic, evenhanded biography of a man notorious for his savage wit.

Pub Date: May 1, 2017

ISBN: 978-1-4968-0928-5

Page Count: 400

Publisher: Univ. Press of Mississippi

Review Posted Online: Feb. 12, 2017

Kirkus Reviews Issue: March 1, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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