Backward, ever backward, through sentences which sinuously, sonorously curl around parenthetical phrases and elliptical clauses, "vagariously" winds this retrospective of the life of Henry Dodd Worthington as now through "experience's actual disorder and inconsecutiveness" he tries to reconcile himself as he was (sufficiently remote to elicit a third person referral) with the man he now is in late middle age. . . . This doubtful construction is only intended as a warning to readers of Mr. Cozzens' new book which is his first novel in ten years and in which he has completed his mastery of the involute sentence. (Ibid.: "Heart conturbed, with dissolution's icy wind on him he does not, he cannot, elect to look ahead and, trembling, prefigure in the final gloom of night the river's calamitous sliding without intermission over the rock edge and wreathed with spray and vapor thundering down.") For those not by patience possessed, trying. . . . En avant—with Cozzens' Last Puritan as he assembles the parts of his life which, with a certain amount of grave questioning and judicious qualifying, have been important in this spectator-participant's total experience: his birth from a long line of acknowledged academic eminence and material affluence; his grandfather, seer and sage, who lived until 99 and repudiated Freud; his first seduction—an "unnerved unable blushing boy" at the hands of-an older woman; his marriage and divorce; his impatience with the marital capriciousness of his' daughter; his own ingenuous stance as a young man who found the workaday world of money unrelated to real life and its later reversal as via a Mind Power course he achieved a Madison Avenue empire, etc. etc. This reflective reconnaissance of "the kinds of unknowing in individual human experience" if parsed and pursued to its conclusion some six lines later, is intended to have "meaning for every man." Perhaps for Mr. Cozzens' admirers, although in Henry Dodd Worthington he seems to have removed himself to a considerable degree from his time and ours.
Pub Date: Aug. 1, 1968
ISBN: 0151621608
Page Count: -
Publisher: Harcourt, Brace & World
Review Posted Online: April 12, 2012
Kirkus Reviews Issue: Aug. 1, 1968
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
