As the title suggests, 15 stories with musical themes. Finely wrought, and ranging from the profound to the whimsical, they're more pianissimo than con brio. British writer Hamilton-Paterson, whose Gerontius (1991), a novel about the composer Edward Elgar, won the 1989 Whitbread Prize, here lyrically evokes the quirky and sometimes darker aspects of the muse. In ``Farts and Longings,'' a writer keeps meeting Wolfgang Amadeus Mozart in various incarnations; in his most recent manifestation, Mozart is a conference-bound Nigerian doctor who discusses with the writer his use of the scatological language that shocked the music world when his letters were made public. It was, he asserts, intended as a reflection of the politics of the repressive times in which he was composing, rather than as a symptom of any personal pathology. In ``The Last Picnic,'' another celebration of the quirky, a madman believing himself to be Robert Schumann escapes from a nearby asylum and has a disquieting effect on a family gathered to mourn their mother as he gives a convincing interpretation of some Schumann pieces. In ``Records,'' the close friendship of two young men, a friendship ended by marriage, is represented by a shared collection of records; and in ``Frank's Fate,'' a man in Italy to clear up a minor writer's estate discovers an essay by his deceased friend on the fate of a now-forgotten 18th-century musician that is a surprisingly moving meditation on genius and fame. Two other notable stories add a political shading to the musical theme: In ``Jaro,'' a middle-aged Italian woman gives lodging to a young refugee from Yugoslavia, a talented guitarist in flight from the miseries of the Bosnian war; and in ``People's Disgrace,'' a composer in a totalitarian country who specializes in discovering the hidden messages in music unwittingly causes the death of his best friend. No wrong notes or hackneyed refrains, just intelligent stories deftly done but without much lingering resonance.
Pub Date: Nov. 1, 1996
ISBN: 0-224-04195-9
Page Count: 266
Publisher: Jonathan Cape/Trafalgar
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1996
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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