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LET ME SEE IT

STORIES

By turns comic and melancholy in tone but always razor-sharp in its insights.

Ten linked stories about growing up gay, introduced by a prologue that elliptically takes us to the cores of the two major characters.

In the prologue, Tom Amelio—48 years old in 2008—is reminiscing about his first cousin Elliott Biddler, who died years earlier. The last (and title) story is set in 1992 and finds Elliott and Tom in Paris to witness the marriage of one of Elliott's former lovers and confirms our fears that Elliott has died of AIDS. In between, we get glimpses into the lives of the two cousins, who didn’t even meet until they were 19. Some of the stories focus on Tom, some on Elliott and some on both; Magruder shifts both chronology and point of view to allow his characters to be narrators in some stories and third-person participants in others. Tom and Elliott grow up, explore their sexuality, take on various boyfriends and lovers, and try to accommodate themselves to a culture that is less than understanding about a fundamental component of who they are. Elliott is the more outgoing of the two. A graduate of Cornell, he takes risks and likes to live on the edge. While in college, he participates in a program that lets him study in Paris, where he takes a lover and winds up getting la chtouille—which he announces is French for “the clap.” Tom is more subdued and less impulsive than his cousin, though he, too, takes numerous lovers as he feels his way through the sexual shoals of adolescence and early adulthood.

By turns comic and melancholy in tone but always razor-sharp in its insights.

Pub Date: June 3, 2014

ISBN: 978-0-8101-5244-1

Page Count: 208

Publisher: TriQuarterly/Northwestern Univ.

Review Posted Online: June 16, 2014

Kirkus Reviews Issue: May 15, 2014

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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