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VULNERABILIA

An offbeat, effortlessly wild, and tightly woven story of an oddball’s life in flux.

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A downtrodden man must unravel the meaning behind a sudden series of calamities in Palazzolo’s novella.

This adventurous story chronicles the life of Melvin Terocera, an aging Gudgeon Recordings talent representative whose life is unexpectedly upended by a mysterious home invasion. Melvin’s existence was consistently exciting during his 20s and 30s as the drummer for Bad Sex, a band who had a hit single, “Love Oven,” and a female lead singer who’d pretend to roast herself over a grill on stage. Then, in his 40s, as his “arrested development ended,” Melvin became an audio engineer and got engaged to narcissistic Joseph Vidova, who abruptly abandoned him and their marriage plans. In the present, police fail to detect any evidence of theft or property damage after the break-in, and Melvin notices only that his televisions have been unplugged. Before long, he’s sideswiped by a speeding car in his apartment building’s parking lot, and after a three-day hospital coma, he’s reunited with Joseph and meets a group of policemen who believe the car’s driver was a mentally ill Humphrey Bogart lookalike named Xavier Hibbert—most likely the same man who broke into his apartment. Traumatized, in a wheelchair, and paranoid about his personal safety, Melvin obsesses over his apparent need for survival training while trying to forgive an apologetic Joseph, who wants to move forward, away from past mistakes. Later, he gets involved with a ragtag gang of beginner survivalists, with whom he navigates Appalachian forest terrain and melodramatic infighting. He emerges from this experience exhausted and confronted with another surprise, courtesy of his elderly neighbor, Mr. Acciom. The final section propels the narrative ahead a half-decade to find Melvin fearing for his life once again as the world around him continues to unravel.              

Palazzolo’s brief, three-part tale whips through the narrative at a speedy pace with plentiful plot twists and disastrous episodes at every turn. The pitch-perfect descriptions (a television set’s plug is said to have “two metal prongs staring back like viper fangs”) also add to the fun. The author provides an impressive amount of backstory regarding eccentric peripheral characters, such as Melvin’s brother Todd, who becomes a bulwark against the tyrannies of Melvin’s everyday life, and Joseph, who mostly serves as an irritant. Melvin’s tale is thrilling to follow; when he’s working as a record-label employee, the tale introduces unique musicians such as Violenza “Vee” Domestica, a rocker who “had a face attesting to the life of a mutant rock star” and a vibrant personality that makes multiple appearances throughout the novel. Melvin embraces his adventuresome yet disastrous life as it is, which is one of the most powerful aspects of this inventive novel. Readers will root for him in whatever situation he’s in; after all, as the narrator notes, “no one perceived him as hopeless, just hapless.” Indeed, the situations are so outrageous and farfetched, it becomes a vicarious pleasure just to see what happens next—and a truly enjoyable reading experience. An offbeat, effortlessly wild, and tightly woven story of an oddball’s life in flux.

Pub Date: N/A

ISBN: N/A

Page Count: 198

Publisher: Manuscript

Review Posted Online: April 20, 2023

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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