by James Palazzolo ‧ RELEASE DATE: N/A
An offbeat, effortlessly wild, and tightly woven story of an oddball’s life in flux.
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A downtrodden man must unravel the meaning behind a sudden series of calamities in Palazzolo’s novella.
This adventurous story chronicles the life of Melvin Terocera, an aging Gudgeon Recordings talent representative whose life is unexpectedly upended by a mysterious home invasion. Melvin’s existence was consistently exciting during his 20s and 30s as the drummer for Bad Sex, a band who had a hit single, “Love Oven,” and a female lead singer who’d pretend to roast herself over a grill on stage. Then, in his 40s, as his “arrested development ended,” Melvin became an audio engineer and got engaged to narcissistic Joseph Vidova, who abruptly abandoned him and their marriage plans. In the present, police fail to detect any evidence of theft or property damage after the break-in, and Melvin notices only that his televisions have been unplugged. Before long, he’s sideswiped by a speeding car in his apartment building’s parking lot, and after a three-day hospital coma, he’s reunited with Joseph and meets a group of policemen who believe the car’s driver was a mentally ill Humphrey Bogart lookalike named Xavier Hibbert—most likely the same man who broke into his apartment. Traumatized, in a wheelchair, and paranoid about his personal safety, Melvin obsesses over his apparent need for survival training while trying to forgive an apologetic Joseph, who wants to move forward, away from past mistakes. Later, he gets involved with a ragtag gang of beginner survivalists, with whom he navigates Appalachian forest terrain and melodramatic infighting. He emerges from this experience exhausted and confronted with another surprise, courtesy of his elderly neighbor, Mr. Acciom. The final section propels the narrative ahead a half-decade to find Melvin fearing for his life once again as the world around him continues to unravel.
Palazzolo’s brief, three-part tale whips through the narrative at a speedy pace with plentiful plot twists and disastrous episodes at every turn. The pitch-perfect descriptions (a television set’s plug is said to have “two metal prongs staring back like viper fangs”) also add to the fun. The author provides an impressive amount of backstory regarding eccentric peripheral characters, such as Melvin’s brother Todd, who becomes a bulwark against the tyrannies of Melvin’s everyday life, and Joseph, who mostly serves as an irritant. Melvin’s tale is thrilling to follow; when he’s working as a record-label employee, the tale introduces unique musicians such as Violenza “Vee” Domestica, a rocker who “had a face attesting to the life of a mutant rock star” and a vibrant personality that makes multiple appearances throughout the novel. Melvin embraces his adventuresome yet disastrous life as it is, which is one of the most powerful aspects of this inventive novel. Readers will root for him in whatever situation he’s in; after all, as the narrator notes, “no one perceived him as hopeless, just hapless.” Indeed, the situations are so outrageous and farfetched, it becomes a vicarious pleasure just to see what happens next—and a truly enjoyable reading experience. An offbeat, effortlessly wild, and tightly woven story of an oddball’s life in flux.Pub Date: N/A
ISBN: N/A
Page Count: 198
Publisher: Manuscript
Review Posted Online: April 20, 2023
Review Program: Kirkus Indie
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by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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