Charming, deftly amusing pastiche purporting to be the dictated memoirs of a 108-year-old scallywag who boxed, swindled, and seduced numerous historical personalities in his long life—and may even have started WW I, all while chasing the girl of his dreams. Departing from his customary gung-ho thrillers, Thayer (White Star, 1995, etc.) delivers a hilarious historical farce told through the eyes of Woodrow Lowe, a working-class Boston Irishman who, in 1879 at age 15, is smitten with the upper-class charms of Amy Balfour, daughter of the founder of the Massachusetts State Bank, when he stops the hard-drinking boxer John L. Sullivan from coldcocking her carriage horse. Amy and her snobbish brother Richard repulse Lowe's bumbling, shanty-town advances, with the grasping, mercenary Amy rudely ridiculing him. After abandoning his day job in his father's saloon, Lowe supports his nascent prizefighter's career by dusting the floor of Harvard's gym. There, on a bet, he knocks out future Rough Rider Theodore Roosevelt, who later befriends him, enlists him as a spy, and sends him out on a series of increasingly hairsbreadth (and ribald) adventures. Throughout his travels, Lowe survives by pluck and happy accidents, and even, eventually, finds true lust—in the arms of Tzu Hsi, the Empress Dowager of China. Along the way, he not only blunders up San Juan Hill with the Rough Riders but cuts a deal with Diamond Jim Brady that will enable him to avenge himself on the ever- disdainful, cruel Amy and her slimy brother. Ultimately, he gets his face carved into the whiskers of Roosevelt's moustache on Mount Rushmore. Writing in the tradition of Thomas Berger's Little Big Man, Thayer revels in the burlesque he adds to our otherwise overly romanticized past, gleefully transforming numerous well-known sacred cows—such as haughty Civil War General Philip Sheridan— into braying jackasses. In all, a breezy, impeccably researched picaresque: the best book of Thayer's career.
Pub Date: Oct. 1, 1997
ISBN: 1-55611-512-1
Page Count: 352
Publisher: Donald Fine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1997
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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