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GRACE

A bit much, truth be told, what with all those swelling emotions, soldierly love letters, and lyrical quotes from WWII’s...

Unabashedly romantic fiction from the author of Dance a Little Longer (1993), this time about a small-town enchantress and her swains, circa 1944.

The few men and boys in Cold Springs, Texas, who haven’t been drafted are madly in love with Grace Gillian, but they all prefer to admire her sensual, careless beauty from a safe distance. Even John Appleby, a handsome widower with whom she shared a night of blissful passion, now keeps her at arm’s length. Grace can’t understand it any more than she can understand why her husband, Bucy, abandoned her without a word of explanation. Everyone seems to think she’s just too different somehow. Why, she painted her house an outrageous shade of turquoise, and she’s forever quoting poetry to the dazzled teenagers in her English class—that’s enough to arouse suspicion right there. Young Bobby Moore has a conspicuous crush on her, and so does his respectable father, not that Robert Moore IV would ever admit it to his wife, a free spirit in her own right and a Yankee to boot. Crisscrossing subplots emerge here, involving Bobby’s unrequited love for the girl next door and his father’s callous disregard for the family’s much-loved black maid, who can’t afford the surgery she needs. Grace is too preoccupied by her feelings for John to notice much of this; she’s annoyed by his standoffishness and his sudden decision to join the Army. On impulse, she takes the train to New York to find her errant husband and meets a dashing military man en route. Smitten Sgt. Dan Manning vows to return for Grace by war’s end. Shortly thereafter, Bucy agrees to a divorce. But here’s the quandary: John Appleby corresponds faithfully, but his dispassionate, careful tone irks Grace. Looks like Dan’s her man, but will he survive to make her his?

A bit much, truth be told, what with all those swelling emotions, soldierly love letters, and lyrical quotes from WWII’s greatest hits.

Pub Date: May 1, 2001

ISBN: 0-525-94602-0

Page Count: 256

Publisher: Dutton

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: March 15, 2001

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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