GRACE

Name: GRACE
Author: Jane Roberts Wood
ISBN: 0-525-94602-0

by Jane Roberts Wood ‧ RELEASE DATE: May 1, 2001

A bit much, truth be told, what with all those swelling emotions, soldierly love letters, and lyrical quotes from WWII’s...

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Unabashedly romantic fiction from the author of Dance a Little Longer (1993), this time about a small-town enchantress and her swains, circa 1944.

The few men and boys in Cold Springs, Texas, who haven’t been drafted are madly in love with Grace Gillian, but they all prefer to admire her sensual, careless beauty from a safe distance. Even John Appleby, a handsome widower with whom she shared a night of blissful passion, now keeps her at arm’s length. Grace can’t understand it any more than she can understand why her husband, Bucy, abandoned her without a word of explanation. Everyone seems to think she’s just too different somehow. Why, she painted her house an outrageous shade of turquoise, and she’s forever quoting poetry to the dazzled teenagers in her English class—that’s enough to arouse suspicion right there. Young Bobby Moore has a conspicuous crush on her, and so does his respectable father, not that Robert Moore IV would ever admit it to his wife, a free spirit in her own right and a Yankee to boot. Crisscrossing subplots emerge here, involving Bobby’s unrequited love for the girl next door and his father’s callous disregard for the family’s much-loved black maid, who can’t afford the surgery she needs. Grace is too preoccupied by her feelings for John to notice much of this; she’s annoyed by his standoffishness and his sudden decision to join the Army. On impulse, she takes the train to New York to find her errant husband and meets a dashing military man en route. Smitten Sgt. Dan Manning vows to return for Grace by war’s end. Shortly thereafter, Bucy agrees to a divorce. But here’s the quandary: John Appleby corresponds faithfully, but his dispassionate, careful tone irks Grace. Looks like Dan’s her man, but will he survive to make her his?

A bit much, truth be told, what with all those swelling emotions, soldierly love letters, and lyrical quotes from WWII’s greatest hits.

Pub Date: May 1, 2001

ISBN: 0-525-94602-0

Page Count: 256

Publisher: Dutton

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: March 15, 2001

Categories:

HISTORICAL FICTION | GENERAL FICTION

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WE WERE THE LUCKY ONES

by Georgia Hunter ‧ RELEASE DATE: Feb. 14, 2017

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

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Hunter’s debut novel tracks the experiences of her family members during the Holocaust.

Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Pub Date: Feb. 14, 2017

ISBN: 978-0-399-56308-9

Page Count: 416

Publisher: Viking

Review Posted Online: Nov. 21, 2016

Kirkus Reviews Issue: Dec. 1, 2016

Categories:

RELIGIOUS FICTION | HISTORICAL FICTION

- BOOK TO SCREEN
Hulu’s ‘We Were the Lucky Ones’ Adds To Cast

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MAGIC HOUR

by Kristin Hannah ‧ RELEASE DATE: March 1, 2006

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

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Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.