by Janette Jenkins ‧ RELEASE DATE: Oct. 1, 2013
A charming but unsentimental evocation of celebrity.
For her fifth novel, the British author offers a seductive snapshot of Noël Coward, that consummate man of the theater.
Most of the action occurs during one week in 1971. The recently knighted Sir Noël is living in his tiny hilltop retreat in Jamaica, the eponymous Firefly, above his much larger, bustling home below. He divides his time between there and Switzerland, avoiding England for tax reasons. The great man is in poor health, suffering dizzy spells and leading a sedentary life (he will die two years later, at age 73). Down the hill, his unobtrusive partner, Graham Payn, takes care of business. What’s different about this week? Noël’s peerless manservant, Miguel, an older, married man who arranges everything just so, is away, visiting a dying relative. Standing in for him is Patrice, an exuberant 22-year-old. The relationship between the young blood with big dreams and the literary lion tugged back by memories is at the heart of the novel. Patrice hopes to move to London, to be a silver service waiter at the Ritz, and presses his employer for a reference. Noël tries to discourage him. “The Ritz is very white, front of house.” The playwright is affectionate and irascible by turns, cursing with abandon while enjoying the young man’s cheerful naïveté. Jenkins mixes in Noël’s memories (of childhood, of louche encounters, of the American boyfriend who stole his heart and other treasures) with his current socializing, much reduced. There are amusingly acerbic vignettes of visitors: an airhead movie actress, a pushy doctor. Still, it is the sparring with Patrice that keeps Noël in the present. His servant is boyishly insistent on pinning down his orientation: “So you are a definite homosexual, Boss?”
A charming but unsentimental evocation of celebrity.Pub Date: Oct. 1, 2013
ISBN: 978-1-60945-140-0
Page Count: 156
Publisher: Europa Editions
Review Posted Online: Aug. 3, 2013
Kirkus Reviews Issue: Aug. 15, 2013
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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More About This Book
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Janice Hadlow ‧ RELEASE DATE: March 31, 2020
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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