A wickedly funny send-up.
George W. Bush speaks from the mountaintop—or at least the helicopter pad—in Coe’s cutting political satire.
On his last day in office, the author’s fictional effigy of the 43rd president addresses an adoring throng of cronies, henchmen and monied interests as he waits to be choppered out into history. His farewell speech, rendered here in an inspired pastiche of Khalil Gibran’s The Prophet, is a celebration of heedless militarism, arrogant wealth, callow pleasure-seeking and smug entitlement, all expressed in a hilarious pseudo-scriptural mishmash of poetic aphorism and good-ole-boy swagger. Bush’s sermon revisits his administration’s triumphs from the Iraq war (“If you convene wars from your executive La-Z-boy, but your soul is really playing golf in Texas, then you set your fellow man dangling as a million leaves dangle without hope in the heart of autumn”) to corruption scandals (“Does the banyan too not give No Bid Contracts to the ants who drink its sap and guard its bark, and the monkeys who shelter upon its rungs and spread its seeds in their scat?”) to the AIG bailout (“For what is government but a credit card for the rich? And what good is a credit card that dawdles below its max?”). But Bush also discourses on matters of the heart and spirit, from marriage (“Buy her lavish diamonds…so she may pretend that she is loved to this degree before her squawking friends”) to charity (“Thus I say to you, treat the poor like nothing at all…saving your dollars for another lap dance in Dubai”) to mortality (“Keep your own personal ass safe, for your fear of death is both sensible and inborn, and your life is worth more than others.”) This is less a portrait of a real president than a scornful caricature of the Republican ruling elite, one that’s as cartoonish as the author’s amusing drawings of a puerile W frolicking in his flight harness. Coe shows us Bush in a funhouse mirror that distorts—but often reveals.
A wickedly funny send-up.Pub Date: Sept. 27, 2010
ISBN: 978-1450260572
Page Count: 84
Publisher: iUniverse
Review Posted Online: Nov. 22, 2010
Kirkus Reviews Issue: Jan. 15, 2011
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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