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MORGAN

AMERICAN FINANCIER

A superbly researched, well-written biography of a great—and, in the author’s view, somewhat misrepresented—figure in American history. J. Pierpont Morgan’s (1837—1913) every touch, it seemed, yielded pure gold. Some of his contemporaries admired his skill at making money, whereas most others despised him. Bancroft Prize-winning biographer Strouse (Alice James, 1980) writes that their disdain, fueled by populist and progressive views, has colored the historical take on Morgan such that he’s seen “as an icon of capitalist greed”—as mere robber baron and plutocrat. She paints a far more complex portrait of someone who, she argues, deserves to be rated as the chief architect of American industrial democracy. At his death, Morgan was the world’s most prominent banker; he—d overseen the economic restructuring of America from a debtor nation into self-sufficiency; he built railroads, engineered the mergers of huge corporations (to form, for instance, US Steel), and surrounded himself with rare works of art and literature, now housed in some of the nation’s leading museums and libraries. He accomplished all this, says Strouse, with a forceful intellect and a strong character—but also by taking any number of ethical shortcuts: He amassed an early fortune, for example, through profiteering in the Civil War. The author recognizes that Morgan’s critics, then as now, had reason to resent the man; after all, he controlled a huge share of the international economy and did much to break unions and thwart the ambitions of workers’ organizations. He showed little regard for “class conflicts and social problems,” and evidently believed that “his financial expertise conferred political prerogatives, and that his larger concerns took precedence over the interests of the people who opposed him.” Still, Strouse gives us an eminently human version of Morgan as a man guided always by profit but not without a sense of of social responsibility, a figure who, for good or ill, contributed in many ways to the structure of the modern world. Especially at a time when American wealth and monopoly again reign, this life of a notable dollar-diplomat is most welcome. (b&w photos, not seen) (Author tour)

Pub Date: April 1, 1999

ISBN: 0-375-50166-5

Page Count: 800

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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UNFINISHED BUSINESS

NOTES OF A CHRONIC RE-READER

Literature knows few champions as ardent and insightful—or as uncompromising—as Gornick, which is to readers’ good fortune.

Gornick’s (The Odd Woman and the City, 2016) ferocious but principled intelligence emanates from each of the essays in this distinctive collection.

Rereading texts, and comparing her most recent perceptions against those of the past, is the linchpin of the book, with the author revisiting such celebrated novels as D.H. Lawrence's Sons and Lovers, Colette's The Vagabond, Marguerite Duras' The Lover, and Elizabeth Bowen's The House in Paris. Gornick also explores the history and changing face of Jewish American fiction as expressions of "the other." The author reads more deeply and keenly than most, with perceptions amplified by the perspective of her 84 years. Though she was an avatar of "personal journalism" and a former staff writer for the Village Voice—a publication that “had a muckraking bent which made its writers…sound as if they were routinely holding a gun to society’s head”—here, Gornick mostly subordinates her politics to the power of literature, to the books that have always been her intimates, old friends to whom she could turn time and again. "I read ever and only to feel the power of Life with a capital L," she writes; it shows. The author believes that for those willing to relinquish treasured but outmoded interpretations, rereading over a span of decades can be a journey, sometimes unsettling, toward richer meanings of books that are touchstones of one's life. As always, Gornick reveals as much about herself as about the writers whose works she explores; particularly arresting are her essays on Lawrence and on Natalia Ginzburg. Some may feel she has a tendency to overdramatize, but none will question her intellectual honesty. It is reflected throughout, perhaps nowhere so vividly as in a vignette involving a stay in Israel, where, try as she might, Gornick could not get past the "appalling tribalism of the culture.”

Literature knows few champions as ardent and insightful—or as uncompromising—as Gornick, which is to readers’ good fortune.

Pub Date: Feb. 4, 2020

ISBN: 978-0-374-28215-8

Page Count: 176

Publisher: Farrar, Straus and Giroux

Review Posted Online: Oct. 9, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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MY STORY

Smart hopes that sharing her story might help heal the scars of others, though the book is focused on what she suffered...

The inspirational and ultimately redemptive story of a teenage girl’s descent into hell, framed as a parable of faith.

The disappearance of 14-year-old Elizabeth Smart in 2002 made national headlines, turning an entire country into a search party; it seemed like something of a miracle when she reappeared, rescued almost by happenstance, nine months later. As the author suggests, it was something of a mystery that her ordeal lasted that long, since there were many times when she was close to being discovered. Her captors, a self-proclaimed religious prophet whose sacraments included alcohol, pornography and promiscuous sex, and his wife and accomplice, jealous of this “second wife” he had taken, weren’t exactly criminal masterminds. In fact, his master plan was for similar kidnappings to give him seven wives in all, though Elizabeth’s abduction was the only successful one. She didn’t write her account for another nine years, at which point she had a more mature perspective on the ordeal, and with what one suspects was considerable assistance from co-author Stewart, who helps frame her story and fill in some gaps. Though the account thankfully spares readers the graphic details, Smart tells of the abuse and degradation she suffered, of the fear for her family’s safety that kept her from escaping and of the faith that fueled her determination to survive. “Anyone who suggests that I became a victim of Stockholm syndrome by developing any feelings of sympathy for my captors simply has no idea what was going on inside my head,” she writes. “I never once—not for a single moment—developed a shred of affection or empathy for either of them….The only thing there ever was was fear.”

Smart hopes that sharing her story might help heal the scars of others, though the book is focused on what she suffered rather than how she recovered.

Pub Date: Oct. 7, 2013

ISBN: 978-1-250-04015-2

Page Count: 320

Publisher: St. Martin's

Review Posted Online: Oct. 27, 2013

Kirkus Reviews Issue: Nov. 15, 2013

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