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ONLY TIME WILL TELL

From the Clifton Chronicles series , Vol. 1

The first book in a new series, a family saga called The Clifton Chronicles, slated to cover 100 years.

It’s 1919, and a young woman named Maisie, on a day’s holiday in Weston-super-Mare, England, determines to lose her virginity while her future husband spends the afternoon at a pub.  And so the subsequent birth of her son Harry raises the first of many questions readers will have little difficulty guessing in advance: Who is Harry’s actual father? Harry is told his father died in the Great War, but he’s skeptical. His subsequent story spins out in a series of overlapping narratives that lead to a great deal of overlapping details, otherwise known as padding. At the age of 12, Harry demonstrates a keen mind and sings with a rare quality. His mother, of little means but great determination, thus resolves to enroll him in public school where he will receive a strong education. At school, Harry befriends the loyal Giles Barrington, the son of wealthy Hugo Barrington, who, for reasons apparent to everyone but Harry, remains aloof, uneasy and guarded around Harry, especially when, a few years later, Harry takes an interest in Hugo’s attractive daughter Emma. Eager to see Harry on to Oxford, Maisie opens a tearoom with great success. In a melodramatic turn—like many here, laid on with a trowel, but with little evocation of time and place—someone burns Maisie’s tearoom to the ground. Maisie suspects Hugo as the culprit and proceeds to blackmail him with information about the fate of her husband. The dastardly Hugo responds to her with a double cross laced with abject physical cruelty. Meanwhile, the Second World War looming, Harry and Emma decide to marry. As they stand before the rector, a guest stands and halts the proceedings. The revelation that follows will elicit few gasps from those who weren’t there that day. For all its considerable girth, remarkably thin.  

 

Pub Date: Sept. 1, 2011

ISBN: 978-0-312-53955-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: July 31, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE TATTOOIST OF AUSCHWITZ

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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