Engaging, sweeping historical fiction that complicates politics by teasing out the domestic and romantic repercussions of...

FATES AND TRAITORS

On April 14, 1865, John Wilkes Booth assassinated President Abraham Lincoln. But how did Booth come to such a point? And how did his loved ones miss the warning signs?

Rather than telling Booth’s tale from his own perspective, which would necessitate imagining the intellectual machinations of one of the 19th century’s most notorious criminals, Chiaverini (Christmas Bells, 2015, etc.) uses the perspectives of the four women arguably closest to Booth, the four women who might have foreseen and forestalled his ignominious moment in the spotlight. Beginning with Mary Ann Holmes’ whirlwind romance with Booth’s father, the renowned actor Junius Brutus Booth, Chiaverini expands the dimensions of Booth’s tragedy to classic proportions: just as his father played the hero to glory on the theatrical stage, so did Booth play the villain on the political stage. Booth’s sister, Asia, adored him, but she found his increasing sympathies with the slaveholding states more and more difficult to explain away. Unlike his brothers, June and Edwin, Booth struggled to memorize lines, yet his good looks not only smoothed over many of his acting flaws, but also landed him in the good graces of many women, including Lucy, the impressionable second daughter of Sen. John Parker Hale of New Hampshire. Despite her family’s reservations, Lucy fell head over heels in love with the actor, offering Chiaverini the opportunity to cast shadows over Booth’s conspiring to kidnap (and later to assassinate) Lincoln: as Booth hoodwinks Lucy, Chiaverini keeps the reader’s eye on Lucy’s anxiety rather than Booth’s sedition. Lastly, Mary Surratt enters the tale. As the proprietress of the boardinghouse where Booth plotted with his accomplices, her perspective emphasizes the collateral damage of Booth’s act.

Engaging, sweeping historical fiction that complicates politics by teasing out the domestic and romantic repercussions of treason.

Pub Date: Sept. 13, 2016

ISBN: 978-0-525-95430-9

Page Count: 400

Publisher: Dutton

Review Posted Online: June 21, 2016

Kirkus Reviews Issue: July 1, 2016

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Miller makes Homer pertinent to women facing 21st-century monsters.

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CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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Still, a respectful and absorbing page-turner.

THE NIGHTINGALE

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 20, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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