On April 14, 1865, John Wilkes Booth assassinated President Abraham Lincoln. But how did Booth come to such a point? And how did his loved ones miss the warning signs?
Rather than telling Booth’s tale from his own perspective, which would necessitate imagining the intellectual machinations of one of the 19th century’s most notorious criminals, Chiaverini (Christmas Bells, 2015, etc.) uses the perspectives of the four women arguably closest to Booth, the four women who might have foreseen and forestalled his ignominious moment in the spotlight. Beginning with Mary Ann Holmes’ whirlwind romance with Booth’s father, the renowned actor Junius Brutus Booth, Chiaverini expands the dimensions of Booth’s tragedy to classic proportions: just as his father played the hero to glory on the theatrical stage, so did Booth play the villain on the political stage. Booth’s sister, Asia, adored him, but she found his increasing sympathies with the slaveholding states more and more difficult to explain away. Unlike his brothers, June and Edwin, Booth struggled to memorize lines, yet his good looks not only smoothed over many of his acting flaws, but also landed him in the good graces of many women, including Lucy, the impressionable second daughter of Sen. John Parker Hale of New Hampshire. Despite her family’s reservations, Lucy fell head over heels in love with the actor, offering Chiaverini the opportunity to cast shadows over Booth’s conspiring to kidnap (and later to assassinate) Lincoln: as Booth hoodwinks Lucy, Chiaverini keeps the reader’s eye on Lucy’s anxiety rather than Booth’s sedition. Lastly, Mary Surratt enters the tale. As the proprietress of the boardinghouse where Booth plotted with his accomplices, her perspective emphasizes the collateral damage of Booth’s act.
Engaging, sweeping historical fiction that complicates politics by teasing out the domestic and romantic repercussions of treason.Pub Date: Sept. 13, 2016
ISBN: 978-0-525-95430-9
Page Count: 400
Publisher: Dutton
Review Posted Online: June 21, 2016
Kirkus Reviews Issue: July 1, 2016
Categories: HISTORICAL FICTION
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Miller makes Homer pertinent to women facing 21st-century monsters.
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A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 23, 2018
Kirkus Reviews Issue: Feb. 1, 2018
Categories: LITERARY FICTION | HISTORICAL FICTION
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PROFILES
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
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An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 17, 2018
Kirkus Reviews Issue: Aug. 1, 2018
Categories: RELIGIOUS FICTION | HISTORICAL FICTION
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