Winsome stories of love and unbreakable bonds, notwithstanding tragedy or years of separation.
Antil’s (The Book of Charlie, 2016, etc.) autobiographical short story collection features tales of family Christmases from his youth and a romance that stands the test of time.
In the opening of the titular love story, Jerry, rather appropriately, is enamored. It’s 1966, and the 20-something is a groomsman for a friend’s Long Island wedding. He catches a glimpse of one of the bridesmaids—Pamela, as it turns out—and is immediately smitten. The nearly 7-foot-tall groomsman is coupled with Pamela, the tallest of the women, for the ceremony, and they even get caught in a photo together with a passing Robert F. Kennedy. But after the wedding, Pamela heads back to Paris, where she works as a model. Ten years pass, and Jerry has the opportunity to spend an evening with Pamela, an unforgettable encounter before the two reunite decades later. Antil’s tale grows more endearing as the couple’s romance becomes more familiar. Jerry, for example, initially idolizes Pamela, whose modeling days were spent mingling with celebrities, but as he gets to know her (favorite movies and books), it’s an unquestionably strong connection between real people. The remaining trio of tales in the collection delves further back into Antil’s history, each revolving around Christmas with his family. The hilarious “Richard Leaves the Choir Breathless” spotlights 6-year-old Jerry’s older brother, Dick, who’s in trouble so often at Roman Catholic school he’s mastered the art of sleeping while standing in the corner. His performance for the school’s Christmas pageant is, not surprisingly, a showstopper. “Postwar Shortages and Shortfalls” is likewise amusing when a holiday gift for the children’s mother leads to a mishap at a bank that may traumatize the family with embarrassment. The book ends with “A Cazenovia Christmas Past,” the gloomiest of the bunch. In it, preteen Jerry and his siblings are shocked when their father is diagnosed with tuberculosis and leaves the family to stay at a sanatorium. Not sure when his dad will return, if at all, Jerry may miss out on the joy of the childhood he’s experiencing, including a summer job and young love with the new girl at school, Judy.
Winsome stories of love and unbreakable bonds, notwithstanding tragedy or years of separation.Pub Date: N/A
ISBN: N/A
Page Count: 62
Publisher: Little York Books
Review Posted Online: Dec. 20, 2016
Kirkus Reviews Issue: Feb. 15, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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