An honest look at ugliness, hope, and love in a struggling small town.
In this debut novel, an act of destruction sends a high school football player’s life spiraling toward blessed terrain.
Eighteen-year-old Orville “Orv” Osentoski plays high school football in Canton, Michigan. Part of the state’s Thumb (five counties that are “economically and culturally depressed”), “Can’t Town” loves nothing more than high school sports and beer. One night after a game in neighboring Frankendorf, Orv falls asleep in the locker room, missing the team’s bus home. He shatters a urinal while escaping the locked building and then walks to a tavern called Der Bierstube. Inside he finds Canton’s town drunk, Matty MacDougall, and asks for a ride home. In Matty’s roach-infested 1966 Mercury Montego, the two tour several more bars. After hearing of Orv’s escape, Matty nicknames him Chief and repeats the story to anyone who’ll listen. In the Dunkel Bar, a bartender named Brenda Slohn—who has a large birthmark on her face—sits on Chief’s lap, giving the reserved teen a taste of the Thumb’s adult nightlife. But he also comes away from the experience realizing that Matty, out of Canton’s large crop of characters, has a “diamond-among-rhinestones affability.” He also can’t stop thinking about Brenda, who’s six years older than he is. In this ribald tale, MacNeil offers an unflinching examination of downturned America, where “landscapes are increasingly acned with strip malls and housing complexes,” and most adults consume at least six alcoholic drinks a day. While difficult subjects are explored, the prose delivers excellent psychological nuances; Chief’s father, Garland, strikes his mother and “watching his wife fly across the room reminded him of his football days, which unearthed a confusing mix of contradictory emotions, like...pride and worthlessness.” The author lightens the mood with puns and sexual commentary. When English teacher Liina “Ol’ Bitch” Olbich asks her students to write a paper about someone in Canton whom they admire, Chief’s determination to portray Matty favorably proves emotionally revelatory, for the town’s citizens and MacNeil’s audience. Overall, sweetness and levity battle with bawdiness for the tone of this story.
An honest look at ugliness, hope, and love in a struggling small town.Pub Date: May 15, 2017
ISBN: 978-1-5356-0712-4
Page Count: 330
Publisher: WaveCloud Corporation
Review Posted Online: June 20, 2017
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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