LET’S GET IT ON

Name: LET’S GET IT ON
Author: Jill Nelson
ISBN: 978-0-06-076330-5

by Jill Nelson ‧ RELEASE DATE: June 2, 2009

With its sex-positive message and unapologetic emphasis on female enjoyment, Nelson’s latest makes for a zingy beach read,...

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The crew from Sexual Healing (2005) is back, and this time they’re opening a sex spa for women off the coast of Martha’s Vineyard.

After winning a $3 million lawsuit against her former Wall Street employers, plus-sized spitfire LaShaWanda P. Marshall opts to use her well-earned lucre to give back to the community by launching an East Coast spinoff of A Sister’s Spa. Wanda is CFO of America’s first and only brothel for women in Reno, Nev., and her first hurdle is convincing partners Lydia and Acey that a new branch will fly. The location is key. Reasoning that women of the black elite who summer in Martha’s Vineyard would pay handsomely for the discreet services offered by their team of studs, handpicked by human-resources director Odell, Wanda proposes they set up shop on a luxury yacht three miles from the coast of Massachusetts. (This gets around the whole prostitution-is-illegal-in-most-states thing.) In preparation for the Floating Spa’s Memorial Day opening, Lydia and Wanda head east to train new talent and build clientele. That leaves Odell and the comparatively prim Acey alone in Nevada to sort out their feelings for each other. The new spa is an instant hit, thanks in part to Lydia’s high-society godmother Ma Nicola, who has deep roots in the Martha’s Vineyard community, and to its star employee Jamal, an enterprising young immigrant from Mombasa dubbed “Afrodonis” by Lydia. But there is always someone who wants to spoil the party, and in this case the killjoys include a mobster who wants a piece of the action and a shifty young white sex worker named Tollhouse. Also threatening everyone’s good time is the conservative president, whose “No Child, No Behind” policy, aimed at eliminating nonprocreational sex, is sure to put a damper on both business and pleasure.

With its sex-positive message and unapologetic emphasis on female enjoyment, Nelson’s latest makes for a zingy beach read, even if the political satire is a bit tone deaf.

Pub Date: June 2, 2009

ISBN: 978-0-06-076330-5

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 1, 2009

Categories:

GENERAL FICTION

- BOOK REVIEW
STRAIGHT, NO CHASER
by Jill Nelson

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VOLUNTEER SLAVERY
by Jill Nelson

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TO KILL A MOCKINGBIRD

by Harper Lee ‧ RELEASE DATE: July 11, 1960

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:

GENERAL FICTION

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THE LAND OF SWEET FOREVER
by Harper Lee ; edited by Casey Cep

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GO SET A WATCHMAN
by Harper Lee

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DISTANT SHORES

by Kristin Hannah ‧ RELEASE DATE: July 1, 2002

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

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Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).