An often appealing but slow-paced magical journey.
A 12-year-old’s quest to learn “real magic” leads him to an unusual bookstore in this debut middle-grade series starter.
Thomas Wildus lives in Southern California’s Orange County. He loves practicing kung fu, playing beach volleyball, and competing with his best friend, Enrique, to draw the funniest doodles during social studies. Yet there’s a hole in his life, as he yearns to understand his long-dead father’s last words to him: “No matter what happens, always remember that magic is real.” When Thomas discovers a “curious” antiquarian bookstore, he hesitantly asks the shopkeeper for books on “real magic.” The man loans him an unusual tome, enclosed in a locked box that opens with a “luminous” key, and he warns him to read only one chapter a day, at home, when nobody else is around. As Thomas slowly progresses through the book, he encounters disconcerting strangers in his hometown, who warn him, “We are watching you.” Even the owner of his favorite comic-book shop treats him oddly. Also, his college professor mom arranges for a tutor to teach Thomas “interdimensional physics.” But what really rattles the boy is the fact that a giant thug in a van has begun stalking him. After Thomas finishes the book, he finds himself on an adventure that takes him to China’s Yunnan province and a canyon in Chiapas, Mexico. For the most part, Bergen offers a lively adventure in his debut. That said, the pacing can frustratingly drag at times, as it sequentially unveils each and every chapter of the magic book. Also, Bergen presents the strange book’s text in an archaic English style. All the “-eth” and “-est” verb endings become tiresome and seem to have been employed merely to make the myths—about an ancient land called Elandria—sound old. If, as Thomas notes, the tales about the birth of magic take place in a time before written language, it seems unnecessary to tell them in such a distractingly odd manner.
An often appealing but slow-paced magical journey.Pub Date: Feb. 2, 2019
ISBN: 978-1-73245-780-5
Page Count: 364
Publisher: Elandrian Press
Review Posted Online: Nov. 18, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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