A gripping story featuring well-constructed characters, poignant moral dilemmas and a chillingly realistic dystopian future.
In Erickson’s (Eagle: Birds of Flight, 2013) dystopian sci-fi novel, a cryogenically frozen scientist wakes up in the year 2155 to find that he’s the only man in a matriarchal military state.
In 2019, Lt. Jose Melendez is a scientist on the autism spectrum who uses himself as a test subject in his innovative cryogenics research. When a sudden, unrelated pandemic causes nearly all adult men on Earth to become violent, Melendez is one of the few who are unaffected, and he soon becomes the subject of military testing. His work in cryogenics takes on a new urgency as it may hold the key to keeping mankind alive. He’s frozen as part of an eight-month cryogenics test, but he isn’t thawed until more than 150 years later. His rescuers are four cybernetic “artificial persons” who have been expelled from society for exercising free will. In this future world’s matriarchal society, all male youths are similarly “cast out” of society when they reach puberty. Melendez and the APs learn that the government is actually murdering the boys, despite the long-ago eradication of the original pandemic, so they form a guerrilla-style group to try to stop the killings. Meanwhile, Maj. Mare Singh tries to stay focused on her military career, but secretly spends all of her free time watching, through mirrored glass, the young son she was forced to give up. When she discovers that Melendez has implanted a computer virus into all APs, she soon learns of the murders, and she comes up with a plan of her own to save her son and the other boys. In this first, two-part installment of a planned series of novellas, Erickson artfully raises profound ethical and philosophical questions regarding class systems, gender equality, neurodiversity and what it means to be human. He draws on classical references, and especially literature, in his work, and readers will likely appreciate the way he beautifully weaves in references to Mary Shelley, H.G. Wells and other masters of science fiction. Overall, it’s dystopian literature at its finest.
A gripping story featuring well-constructed characters, poignant moral dilemmas and a chillingly realistic dystopian future.Pub Date: Nov. 4, 2013
ISBN: 978-1478704188
Page Count: 266
Publisher: Outskirts Press Inc.
Review Posted Online: Nov. 8, 2013
Kirkus Reviews Issue: Dec. 15, 2013
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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